Alison Lurie Reihenfolge der Bücher (Chronologisch)

Lurie's essays provide a humorous and candid exploration of her experiences at Radcliffe during WWII, highlighting the challenges faced by women in academia. She reflects on her initial struggles as a writer and the eventual recognition she achieved, fostering connections with notable figures like Robert Silver and Edward Gorey. Through insightful and often amusing commentary, she delves into themes such as literary deconstruction and beloved children's literature, offering readers a rich and entertaining perspective on her life's journey.

In 1981 Alison Lurie published The Language of Clothes , a meditation on costume and fashion as an expression of history, social status and individual psychology. Amusing, enlightening and full of literary allusion, the book was highly praised and widely anthologized. Now Lurie has returned with a companion book, The Language of Houses , a lucid, provocative and entertaining look at how the architecture of buildings and the spaces within them both reflect and affect the people who inhabit them. Schools, churches, government buildings, museums, prisons, hospitals, restaurants, and of course, houses and apartments―all of them speak to human experience in vital and varied ways. The Language of Houses discusses historical and regional styles and the use of materials such as stone and wood and concrete, as well as contemplating the roles of stairs and mirrors, windows and doors, tiny rooms and cathedral-like expanses, illustrating its conclusions with illuminating literary references and the comments of experts in the field. Accompanied by lighthearted original drawings, The Language of Houses is an essential and highly entertaining new contribution to the literature of modern architecture.

En Gente de verdad seis personajes conviven durante dos semanas de verano en una gran casa de campo para concentrarse en su trabajo lejos de las presiones del mundo exterior. La diferencia entre lo aparente y lo real, entre los roles sociales y la propia identidad, flotará en el ambiente, aunque con cierto sentido del humor, para descubrirnos una historia de insatisfacción, de amor, de superación femenina y de vanidad.

Polly Alter, eine frisch geschiedene Kunsthistorikerin, nimmt den Auftrag an, die Biographie der verschwundenen Malerin Lorin Jones zu schreiben, die unter mysteriösen Umständen starb. Dabei erkennt sie, wie gefährlich es sein kann, sich in das Leben anderer zu vertiefen, während man selbst in der Luft hängt.

Nach Jahren glücklicher Ehe erkennen Jane und Alan sich selbst kaum wieder. Als Delia und Henry auf dem Campus auftauchen, geht alles drunter und drüber. ›Paare‹ ist eine Geschichte darüber, dass Fremdgehen auch für frischen Wind sorgen kann.

This collection showcases a diverse array of European folktales featuring strong, resourceful heroines who defy traditional gender roles. The young protagonists are active and courageous, capable of battling giants, solving riddles, and outsmarting evil forces. These tales, often overlooked in earlier compilations, highlight the wit and bravery of women, presenting them as dynamic characters rather than passive figures. Through these stories, readers are introduced to a rich tapestry of female empowerment in folklore.

Alison Lurie is known for the sophisticated satire and Pulitzer-winning prose of her novels and stories. In Familiar Spirits, she lovingly evokes two true-life intimates who are now lost to her. In her signature mix of comedy and analysis Lurie recalls Merrill and his longtime partner, David Jackson and their lives together in New York, Athens, Stonington, Connecticut, and Key West.Familiar Spirits reveals both the worldly and other worldly sources of what Merrill called his "chronicles of love and loss". Merrill was known for the autobiographical element in his work and here, we are introduced to the over thirty years of Ouija board sessions that brought gods and ghosts into his and David Jackson's lives, and also into Merill's brilliant book length poem, The Changing Light at Sandover. Lurie suggests that Jackson's contribution to this work was so great that he might, in a sense, be recognized as Merrill's coauthor. Her account of Merrill and Jackson's long and inspired relationship with the supernatural and its tragic end will not only surprise many readers, but stand as a poignant memorial to her lost friends.

The classic book about the clothes we wear and what they say about us.Even before we speak to someone in a meeting, at a party, or on the street, our clothes often express important information (or misinformation) about our occupation, origin, personality, opinions, and tastes. And we pay close attention to how others dress as well; though we may not be able to put what we observe into words, we unconsciously register the information, so that when we meet and converse we have already spoken to one another in a universal tongue.Alison Lurie, the Pulitzer Prize-winning novelist, is our savvy guide and interpreter on this tour through the history of fashion. She provides fascinating insights into how changing sex roles, political upheavals, and class structure have influenced costume. Whether she is describing the enormous amount of clothing worn by early Victorian women or illuminating the significance of the long robes worn by aging men throughout history to connote eminence, her analysis is playful, clever, and always on target.

Sein Einsatz für bedrohte Tierarten hat Wilkie Walker weltberühmt gemacht. Mit 70 aber merkt Walker plötzlich, daß er selbst vom Aussterben bedroht ist, und verfällt in tiefe Depression. Damit er wieder lebenslustig wird, schlägt seine um 24 Jahre jüngere, treuergebene Frau Jenny ihm einen Szenenwechsel vor: Key West in Florida, berühmt für seine exotische Pflanzenwelt und das nicht weniger bunte Völkchen, das die Insel bewohnt. Doch die Ortsveränderung hat für beide unerwartete Folgen.

Jenny has devoted her life to her husband, the naturalist Wilkie Walker. She is as rare a creature as the endangered species he works to preserve. But this year, as winter comes on, Wilkie seems distant and depressed. In desperation Jenny persuades him to visit Key West, but the sun and tropical scenery do nothing to cheer him up.