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Volney P. Gay

    Volney Patrick Gay ist Professor für Religionswissenschaft, Psychiatrie und Anthropologie an der Vanderbilt University. Seine Forschung befasst sich mit dem Schnittpunkt von Religion und menschlicher Psyche und untersucht, wie Glaube und Rituale das Verhalten und das psychische Wohlbefinden beeinflussen. Gay verfolgt einen interdisziplinären Ansatz und synthetisiert Erkenntnisse aus Religionswissenschaft, Psychiatrie und Anthropologie, um eine umfassende Sicht auf die Rolle der Religion im menschlichen Leben zu bieten. Er leitet auch das Centre for the Study of Religion and Culture.

    Freud on sublimation
    Freud on Sublimation
    • 1992

      Freud on Sublimation

      Reconsiderations

      This book is the only full-length treatment of the relationship between aesthetic truths and psychoanalytic discoveries―of art, artists, and a new concept of sublimation. It provides a radical and unique study of the concept of sublimation and proposes a modest replacement for it. In the first third of the book the author reviews critically the psychoanalytic sources of the concept of sublimation. In the second third he shows how the concept developed from Freud’s nineteenth-century notions of perception. In the last third he revises a concept of sublimation using a contemporary theory of perception. In the final chapter he examines four works of short stories of John Cheever, a Japanese novel, portions of Hamlet, and sublimation and perversion in Orson Welles’ Citizen Kane.

      Freud on Sublimation
    • 1992

      This book is the only full-length treatment of the relationship between aesthetic truths and psychoanalytic discoveries--of art, artists, and a new concept of sublimation. It provides a radical and unique study of the concept of sublimation and proposes a modest replacement for it. In the first third of the book the author reviews critically the psychoanalytic sources of the concept of sublimation. In the second third he shows how the concept developed from Freud's nineteenth-century notions of perception. In the last third he revises a concept of sublimation using a contemporary theory of perception. In the final chapter he examines four works of literature: short stories of John Cheever, a Japanese novel, portions of Hamlet, and sublimation and perversion in Orson Welles' Citizen Kane.

      Freud on sublimation