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Eugene Savitzkaya

    Eugène Savitzkaya zeichnet sich durch eine poetische Strahlkraft aus, die den Alltag erhellt und von den Märchen seiner Mutter sowie frühen Begegnungen mit dem Surrealismus inspiriert ist. Seine Prosa, oft fragmentarisch und repetitiv, vermeidet psychologische Analysen zugunsten sorgfältiger Beobachtung und der Feier von 'alltäglichen Wundern'. Er schafft 'Wortmaschinen', die darauf abzielen, das Wesen des gegenwärtigen Moments und das sinnliche Erleben der Welt einzufangen. Mit einer unverwechselbaren, mal düsteren, mal intimen, aber stets sinnlichen Stimme besingt Savitzkaya die Metamorphose und betrachtet die Welt als einen Garten des ständigen Wandels und Zerfalls.

    Letters to Eugene
    In Life
    • In Life

      • 97 Seiten
      • 4 Lesestunden
      4,2(5)Abgeben

      Fiction. Translated from the French by Andrew Colpitts. Your life consists of passing time, and time passes around you. Walls chip, and you paint them. Weeds flourish, and you pull them. Throughout IN LIFE Eugène Savitzkaya sifts lyrically through our daily comings and goings, through decay and renovation. Pruning trees, scaling fish, washing windows, ironing and eating are among the myriad tasks surveyed in this book. Even urinating and defecating have their just place in the melee of the day-to-day. IN LIFE is a meditation on the quotidian, the circadian rhythms of life that sustain us and dissolve us. With piercing acuity Savitzkaya pays tribute to those actions that consume the lion's share of our waking hours.

      In Life
    • Letters to Eugene

      • 144 Seiten
      • 6 Lesestunden
      4,0(65)Abgeben

      Hervé Guibert's incandescent correspondence with Belgian poet Eugène Savitzkaya.In 1977, Hervé Guibert discovered the first novel written by Eugène Savitzkaya, Mentir, and sent him his La mort propagande, which had just been published. In the following years, they exchanged the books they had written, read each other, appreciated each other. They saw each other rarely, however: one lived in Liège, the other Paris.A turning point occurred in 1982, when Hervé published "Lettre à un frère d'écriture," in which he declared to Eugène, "I love you through your writing." The tone had changed; Hervé, obsessed with his correspondent, wrote him increasingly incandescent letters. 1984 would, however, see the sudden extinguishing of that passion. A deep friendship replaced it, which found itself with new areas to explore: the adventure of publishing L'Autre Journal and at the Villa Medicis, where they were both fellows. These nearly eighty letters, exchanged between 1977 and 1987, form a correspondence that is all the more unique for being the only one whose publication was authorized by Guibert. An intersection of life and writing, self and other, reality and fiction, their release is a renewal of Guibert's oeuvre.

      Letters to Eugene