Tom McLeishs literarisches Schaffen befasst sich mit der Schnittstelle von Wissenschaft und Geisteswissenschaften. Seine Schriften erforschen die tieferen philosophischen und kulturellen Implikationen wissenschaftlichen Verständnisses und nutzen seine Expertise in der Physik, um komplexe Naturphänomene zu beleuchten. Mit seinen Texten möchte er komplexe wissenschaftliche Konzepte einem breiteren Publikum zugänglich machen, kritisches Denken fördern und den Dialog zwischen Wissenschaft und Gesellschaft anregen. Sein Ansatz zeichnet sich durch Klarheit, Tiefe und das Engagement aus, Gemeinsamkeiten zwischen scheinbar unterschiedlichen Bereichen menschlicher Forschung zu finden.
Tom McLeish delves into the growing field of soft matter - the study of
materials such as polymers, colloids, liquid crystals, and foams. Looking
beneath their appearance to their inner structure, he discusses their shared
physical properties, the principle of Brownian Motion that underlies all soft
matter, and the applications of these materials.
McLeish takes a scientist's reading of this ancient text as a centrepiece to make the case for science as a deeply human and ancient activity, embedded in some of the oldest stories told about human desire to understand the natural world. Drawing on stories from the modern science of chaos and uncertainty alongside medieval, patristic, classical and Biblical sources, he challenges much of the current 'science and religion' debate as operating with the wrong assumptions and in the wrong space. Its narrative approach develops a natural critique of the cultural separation of sciences and humanities, suggesting an approach to science, or in its more ancient form natural philosophy - the 'love of wisdom and natural things' - that can draw on theological and cultural roots. Following the theme of pain in human confrontation with nature, it develops a 'Theology of Science,' recognising that both scientific and theological worldviews must be of each other, not holding separate domains ... There are lessons for education, the political process of decision-making on science and technology, our relationship with the global environment, and the way that both religious and secular communities alike celebrate and govern science. --From publisher description
The Poetry and Music of Science examines aspects of science and art that bear
close comparison - for example the art of the novel and the art of scientific
experimentation. The book eavesdrops on conversations between scientists on
how new theories arise, and listens to artists' and composers' witness of
their own creative processes.