Charles Marowitz Bücher

Charles Marowitz verbindet Theaterpraxis und -theorie und stellt die Grundlagen für seine Arbeit vor. Fußend auf den Ergebnissen Stanislawskis tut Marowitz seine Methode dar, mit Schauspielern in der Gruppe zu arbeiten und jedem einzelnen diejenige Herausforderung zu stellen, die sein Talent, nicht seine Eitelkeit fördert. Das Buch vermittelt den Entstehungsprozeß einer gesamten Produktion. Beginnend mit einem äußerst geistreichen Vorwort legt Marowitz die dramaturgische Idee für seine ›Macbeth‹-Bearbeitung dar, schildert daran anschließend die Überlegungen des Regisseurs und die Übungen für die Schauspieler. Schließlich folgt der vollständig neu gefaßte Text des Stückes. ›Ein Macbeth‹ wurde in Wiesbaden uraufgeführt und danach in Rom, Paris und London gespielt.

Exploring the works of Shakespeare, this book offers insights from Kott and Marowitz, emphasizing their interpretations and critiques of the Bard's plays. The authors delve into themes of power, identity, and the human condition, presenting a fresh perspective that challenges traditional readings. Their analyses highlight the relevance of Shakespeare's work in contemporary discussions, making it a valuable resource for students and enthusiasts alike. The text encourages readers to engage deeply with Shakespeare's enduring legacy.

Exploring the life of Michael Chekhov, this biography delves into the influence of his uncle, Anton Chekhov, on his artistic journey. It highlights Michael's innovative contributions to acting and directing, emphasizing his unique approach to theater that merged psychology and spirituality. The narrative also covers his emigration to the West, where he became a pivotal figure in the development of modern acting techniques. Through rich anecdotes and analysis, the book reveals the complexities of his legacy in the performing arts.

Focusing on the journey to theatrical success, this guide offers insights into staging a play, from the initial concept to winning prestigious awards like the Tony. It emphasizes practical strategies for aspiring playwrights and producers to navigate the industry, build a reputation, and achieve financial success. The book is filled with tips on creativity, marketing, and networking, aiming to inspire readers to leave a lasting impact on the world of theater.

In the same way that Shakespeare himself continued to meditate and transform his own ideas and the shape they took, Marowitz gives us license to continue that meditation in productions extrapolated from Shakespeare's work. Shakespeare becomes the greatest of all catalysts who stimulates a constant re-formulation of the fundamental questions of philosophy, history and meaning. Marowitz introduces us to Shakespeare as an active contemporary collaborator who strives with us to yield a vibrant contemporary theatre.

The book delves into the essential principles of theatre practice, offering insights on auditions, casting, design, rehearsal, actor psychology, dramaturgy, and text interpretation. Marowitz encourages actors and directors to deepen their understanding of their craft while inspiring them to explore new creative realms. Through thoughtful meditation on these sacred precepts, readers are challenged to enhance their artistic approach and expand their theatrical horizons.

A philosophical treatise by Marowitz, exploring the use of method as a means to achieving greater ends.

Charles Marowitz was the first American to direct at the Royal Shakespeare Company and the first American to direct at the Czech National Theatre (while collaborating with Vaclav Havel). Known as a maverick playwright, director, and critic, he nurtured numerous figures who have come to shape contemporary theatre and larger society. Without Marowitz the theories and ideas of Antonin Artaud would remain obscure. The entire trajectory and ecology of theatre and performance since the 1960s have been considerably influenced by this alone. The present-day popularity of 'immersive theater' was a mode of performance introduced to the British theatre by Charles Marowitz and Allan Kaprow in the famous 'Happening' at the 1963 Edinburgh Drama Conference. In 1968 Marowitz started the Open Space Theatre on Tottenham Court Road in collaboration with Thelma Holt. There is a gap in our collective understanding of this important figure and a gap in currently available literature about him. The Marowitz Compendium seeks to spark a revaluation. The audience for this book includes students, postgraduates, specialists and general readers interested in drama and the history of contemporary theatre.