Like Foucault's earlier works, The History of Sexuality (1976) is ground- breaking and controversial. His claim that sexuality is more a social concept than the product of biological instincts challenges the accepted idea that it was the rise of modernity and capitalism that resulted in repression of sexualities.
How does a state control its citizens? Michel Foucault's Discipline and Punish answers this question by investigating the prison system. Foucault argues that prison created and merged into a wider system of surveillance that extends throughout society.
Black Skin, White Masks offers a radical analysis of the psychological effects of colonization on the colonized. Fanon witnessed the effects of colonization first hand both in his birthplace, Martinique, and again later in life when he worked as a psychiatrist in another French colony, Algeria.
The Work of Art in the Age of Mechanical Reproductioncombats traditional art criticism's treatment of artworks as fixed, unchanging mystical objects. For Walter Benjamin, the consequences of addressing a work of art in this manner have a wider resonance: closed off from any active visual or tactile engagement, the work of art becomes an object of passive contemplation and a potential tool of oppression. Benjamin argues that technology has fundamentally altered the way art is experienced. Potentially open to interpretation and accessible to many, art in the age of mechanical reproduction has the potential to be mobilized for radical purposes. While ostensibly addressing the artistic consequences of technical reproducibility on art, Benjamin also addresses the wider political consequences of this shift.
Why do Peace Corps volunteers often return having lost their idealism? In The Death of Idealism, Meghan Elizabeth Kallman details the combination of social forces and organizational pressures that depoliticizes Peace Corps volunteers, channels their idealism toward professionalization, and leads to cynicism or disengagement.