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Patrick Burkart

    Music and Cyberliberties
    Why Hackers Win
    • Why Hackers Win

      • 217 Seiten
      • 8 Lesestunden

      When people think of hackers, they usually think of a lone wolf acting with the intent to garner personal data for identity theft and fraud. But what about the corporations and government entities that use hacking as a strategy for managing risk? Why Hackers Win asks the pivotal question of how and why the instrumental uses of invasive software by corporations and government agencies contribute to social change. Through a critical communication and media studies lens, the book focuses on the struggles of breaking and defending the “trusted systems” underlying our everyday use of technology. It compares the United States and the European Union, exploring how cybersecurity and hacking accelerate each other in digital capitalism, and how the competitive advantage that hackers can provide corporations and governments may actually afford new venues for commodity development and exchange. Presenting prominent case studies of communication law and policy, corporate hacks, and key players in the global cybersecurity market, the book proposes a political economic model of new markets for software vulnerabilities and exploits, and clearly illustrates the social functions of hacking.

      Why Hackers Win
    • Music and Cyberliberties

      • 200 Seiten
      • 7 Lesestunden
      3,6(10)Abgeben

      Focusing on the activism within the music community, the book explores how musicians and fans have rallied against the monopolistic practices of major labels following the Napster court case. Patrick Burkart examines the rise of various advocacy groups, including culture jammers and hackers, who resist the encroachment of copyright laws on music sharing. By analyzing the impact of peer-to-peer networking and the evolving Celestial Jukebox model, the work situates these movements within broader technological and social theories, providing fresh insights into contemporary challenges.

      Music and Cyberliberties