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Adrian Matejka

    Adrian Matejka schafft Poesie, die sich mit der Komplexität von Identität und rassistischer Zugehörigkeit in Amerika auseinandersetzt. Seine Verse sind bekannt für ihre Kraft und intellektuelle Tiefe und untersuchen oft die historischen und sozialen Kontexte, die individuelle Erfahrungen prägen. Matejkas Werk verwendet präzise Sprache und rhythmische Findigkeit, um eindringliche Bilder und zum Nachdenken anregende Ideen zu schaffen. Seine Sammlungen bieten einen tiefen Einblick in die Themen Vergangenheit, Gegenwart und die sich ständig weiterentwickelnde Natur des amerikanischen Traums.

    Last On His Feet
    Somebody Else Sold The World
    • Somebody Else Sold The World

      • 80 Seiten
      • 3 Lesestunden
      3,8(129)Abgeben

      A resonant new collection on love and persistence from the author of The Big Smoke, a finalist for the National Book Award and the Pulitzer Prize The poems in Adrian Matejka's newest and fifth collection, Somebody Else Sold the World, meditate on the ways we exist in an uncontrollable world: in love and its aftermaths, in families that divide themselves, in protest-filled streets, in isolation as routines become obsolete because of lockdown orders and curfews. Somebody Else uses past and future touchstones like pop songs, love notes, and imaginary gossip to illuminate those moments of splendor that persist even in exhaustion. These poems show that there are many possibilities of brightness and hope, even in the middle of pandemics and revolutions.

      Somebody Else Sold The World
    • Last On His Feet

      Jack Johnson and the Battle of the Century

      A groundbreaking graphic portrait of boxing legend Jack Johnson, Last On His Feet offers a front-row seat to the Battle of the Century. On the morning of July 4, 1910, thousands of boxing fans stormed a newly built stadium in Reno, Nevada, to witness an epic showdown. Jack Johnson, the world's first Black heavyweight champion--and most infamous athlete in the world because of his race--was paired against Jim Jeffries, a former heavyweight champion then heralded as the "great white hope." It was the height of the Jim Crow era, and spectators were eager for Jeffries to restore the racial hierarchy that Johnson had pummeled with his quick fists. Transporting readers directly into the ring, artist Youssef Daoudi and poet Adrian Matejka intersperse dramatic boxing action with vivid flashbacks to reveal how Johnson, the self-educated son of formerly enslaved parents, reached the pinnacle of sport--all while facing down a racist justice system

      Last On His Feet