Lisa Zunshine erforscht die komplexe Beziehung zwischen Kognitionswissenschaft und Literaturanalyse. Ihre Arbeit befasst sich damit, wie unser Verstand Erzählungen verarbeitet und wie kulturelle Kontexte unser Leseerlebnis beeinflussen. Sie untersucht die Art und Weise, wie Geschichten unser Weltverständnis formen, und analysiert diese Dynamik, wie sie sich in literarischen Werken, insbesondere in der britischen Literatur des 18. Jahrhunderts, zeigt.
This engaging book exemplifies the new interdisciplinary field of cognitive cultural studies, demonstrating that collaboration between cognitive science and cultural studies is both exciting and productive.
Exploring the intersections of art and literature, this volume features eleven contributors who analyze the relationships between Nabokov's work and the realms of painting, music, and ballet. Through diverse perspectives, the essays delve into how these artistic disciplines influence and reflect themes within Nabokov's writing, offering a rich understanding of his creative process and the broader cultural context of his oeuvre.
Cognition, Culture, Narrative
Exploring themes of confused identity and the significance of twins in literature, the book delves into science fiction's portrayal of robots, cyborgs, and androids. It connects these motifs to nonsense poetry and surrealist art, showcasing how scientific concepts can enrich literary interpretation. Additionally, it highlights the application of cognitive-evolutionary research on essentialism to analyze both fiction and unconventional ideas in everyday life, offering a fresh perspective on the interplay between science and literature.
Exploring the concept of 'cognitive aesthetics,' this book reveals how narrative literature captivates readers by tapping into ancient storytelling patterns established over four millennia. The author, a prominent expert in the field, delves into the mechanisms that make stories resonate, illustrating the deep-rooted connections between literature and human cognition. Through this lens, readers gain insight into the timeless techniques that continue to enchant and engage audiences today.
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson s Clarissa, Dostoyevski's Crime and Punishment, and Austen s Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett s The Maltese Falcon. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.
The book explores the proliferation of treatises on elocution, gesture, and the concept of naturalness during the eighteenth century. It delves into how these writings influenced communication practices of the time, highlighting the importance of effective expression in social and cultural contexts. Through historical analysis, it examines the evolution of public speaking and performance, shedding light on the societal values and artistic movements that shaped these ideas.
Set in the eighteenth century, the book explores the burgeoning interest in elocution, gesture, and the art of natural speech. It delves into various treatises that emerged during this period, highlighting the cultural significance of communication and performance. Through an analysis of these works, the narrative examines how these concepts influenced social interactions and the development of public speaking, reflecting broader societal changes and the quest for eloquence in an evolving world.
Exploring the eighteenth century, this book delves into the rich landscape of elocution, gesture, and the quest for naturalness in communication. It examines various treatises that emerged during this period, highlighting the evolving theories and practices that shaped public speaking and interpersonal expression. Through historical context and analysis, the work uncovers the significance of these developments in the art of oratory and their lasting impact on social interaction.
In the eighteenth century, numerous treatises explored the art of elocution, emphasizing the importance of gesture and naturalness in communication. These works reflect the era's fascination with the mechanics of speech and the nuances of expression, highlighting how effective communication was perceived as essential for social and professional success. The focus on these elements not only shaped public speaking but also influenced broader cultural practices in art and literature during this period.
Set in the eighteenth century, the book explores the burgeoning interest in the art of elocution, emphasizing the importance of gesture and naturalness in communication. It delves into various treatises that shaped the understanding of effective speaking and expression, reflecting the cultural shifts of the time. Through historical context, it examines how these ideas influenced not only public speaking but also social interactions and the performance arts, highlighting the evolution of rhetorical practices in a changing society.