Provides a definitive study of the iconic photograph as a dynamic form of public art. In this title, iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection.
The collection of essays critically examines the tradition of realism in international relations, focusing on the major Post-War theorists and foundational concepts. It offers a systematic investigation into political discourse, highlighting representative case studies that challenge established ideas. The authors aim to provide a coherent understanding of realism's influence on both academic and practical approaches to international politics.