Juliet Wilson-Bareau Bücher

This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist.

The painting captures a vibrant 1870s Parisian caf-concert scene, reflecting the era's cultural trends. Initially conceived as a grand composition, the artist became dissatisfied and divided the canvas, creating two distinct pieces. Recent technological advancements have reconstructed the original artwork, revealing its broader context. New research has pinpointed the specific caf, the Reichshoffen, and identified the Folies-Bergère performance featured in the accompanying poster, enriching the understanding of this iconic work.

Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Living in Competition -- Part I: Critical Foundations -- 1 A New Hegemony: The Rise of Neoliberalism -- 2 Neoliberal Truths and Consequences: The Four Ds -- 3 The Cultural Powers of Neoliberalism: A Case Study -- Part II: Neoliberal Culture -- 4 The Hustle: Self-Enterprise and Neoliberal Labor -- 5 The Moods of Enterprise: Neoliberal Affect and the Care of the Self -- 6 Enterprising Democracy: Neoliberal Citizenship and the Privatization of Politics -- Conclusion: Living in Common -- Bibliography -- Glossary of Concepts -- Index

Originally published in 1901, this book presents five essays on different aspects of foreign policy, including Oliver Cromwell's approach to international affairs.