The book offers a groundbreaking examination of Chekhov's plays through a cross-cultural lens, focusing on their production across different cultures. It explores how various interpretations and performances influence the understanding of Chekhov's work, highlighting the interplay between cultural context and theatrical expression. This unique study sheds light on the diverse ways in which Chekhov's themes resonate globally, making it a significant contribution to both theatre studies and comparative literature.
Laurence Senelick Bücher
Laurence Senelick ist eine führende Persönlichkeit in der Theaterwissenschaft, dessen Arbeit die Schnittstelle von Performance, Geschichte und Kultur untersucht. Seine kritischen Essays und Studien befassen sich mit den tiefgreifenden Verbindungen zwischen dramatischen Texten und ihrer Inszenierung und zeigen auf, wie Theater durch gesellschaftliche Veränderungen geformt wird und diese formt. Durch sein tiefes Verständnis der Theatergeschichte und -praxis beleuchtet Senelick die komplexe Natur der dramatischen Künste und ihre anhaltende Wirkung.





Exploring the rich history of theatrical cross-dressing, this book delves into its origins and cultural variations throughout different eras. As the first comprehensive cross-cultural examination of theatrical transvestism, it highlights the significance and evolution of this unique performance art across various societies.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
The Final Curtain: The Art of Dying on Stage
- 206 Seiten
- 8 Lesestunden
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.