Alfred Stieglitz Bücher
Alfred Stieglitz war ein bedeutender amerikanischer Fotograf und Förderer der modernen Kunst, der über fünfzig Jahre lang daran arbeitete, die Fotografie als anerkannte Kunstform zu etablieren. Neben seiner eigenen fotografischen Arbeit ist Stieglitz bekannt für seine Galerien in New York, die er im frühen 20. Jahrhundert betrieb und wo er viele europäische Avantgarde-Künstler in den USA vorstellte. Sein Vermächtnis liegt in seinem Engagement für die Aufwertung der Fotografie und seiner Rolle bei der Gestaltung der amerikanischen modernen Kunst.






In 1903, Alfred Stieglitz (1864-1946) began publishing "Camera Work", an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. "Camera Work" was the first photo journal whose focus was visual, rather than technical. This book brings together a broad selection from the journal's 50 issues.
This collection of half-tone and photogravure reproductions from all 50 issues of the legendary photographic magazine produced by Stieglitz contains the work of Eduard Steichen, Frank Eugene, Clarence H. White, & others, as well as Stieglitz's own photography and original essays. Intro in English, German, French.
Alfred Stieglitz
Photographs & writings
Returning to print after fifteen years, a high-quality collection of seventy-three images from the career of the pioneering photographer features portraits of artist Georgia O'Keeffe and early twentieth-century New York City. 10,000 first printing.
Alfred Stieglitz (Aperture Masters of Photography, No 6)
- 96 Seiten
- 4 Lesestunden
This catalogue presents the annual salon and exhibition of amateur photography from 1895, showcasing a collection of works by emerging photographers of the time. It serves as a historical document, reflecting the artistic trends and cultural context of the late 19th century. The reprint maintains the original quality, offering insights into the photography techniques and styles that were popular among amateurs during this era.
"""Les photographies (que prend Stieglitz) des choses et des personnes - du soleil et de la forme des nuageséquivalent à un questionnement de la vie contemporaine, profondément critique mais affirmatif. Elles sont les conclusions, belles et objectives, de ce questionnement."" Paul Strand."