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Neil De La Flor

    Neil de la Flor schafft Lyrik, die Theater mit einer unverwechselbar originellen, bissigen Humor durchdringt. Seine Verse werden als sinnlich, elektrisierend und zu spontaner Verbrennung fähig beschrieben und sprechen die Leser in einer „ehrfurchtgebietenden Sprache der Frisur“ an. Er arbeitet mit anderen Schriftstellern an Sammlungen, die sich durch ihre üppige, schicke und gut trainierte Sprachfertigkeit auszeichnen und intelligente, aber zugängliche literarische Erlebnisse bieten. Seine Arbeit, oft mit bildender Kunst und Performance verknüpft, erforscht Themen mit kompromisslosem Elan.

    The Ars Magna for the Manifold Dimensions of z
    • Daring and brilliant, Neil De La Flor's latest book, The Ars Magna for the Manifold Dimensions of z , is a big kick in the rear to absurdist theater. It stars a very tough Meta, a member of the Danish underground. "If my head had been cut off," says Meta, "you would've been next." The book explores "parallel worlds that are unaware of the other, but are layered on top of each other like minks or foxes wearing stoles and fur coats." Characters pursue each other through five acts, a series of emails and an epilogue invoking Minkowskian Spacetime - I won't go there but wow! De la Flor dives deep into meta-Meta-mind. --Terese SvobodaIn The Ars Magna for the Manifold Dimensions of z, Neil de la Flor gives us a braided history of the speaker and his beloved Meta. Through found (sometimes redacted text), memory, interviews and gorgeous speculation, de la Flor conjures a lovingly hybrid picture of Meta and the Danish Underground Resistance during the Holocaust. As the poet learns more about his heritage, we as readers learn more about American families and the pasts they carry, what our elders have taught us and what has (and perhaps always will) remain a mystery. --Denise Duhamel

      The Ars Magna for the Manifold Dimensions of z