Minka und Löwenherz
- 134 Seiten
- 5 Lesestunden
Ein Meisterstück britischer Erzählkunst, voller Humor und sanfter Ironie - nicht nur für Katzenliebhaber ...
Antonia Whites Belletristik erforschte oft die Komplexität menschlicher Beziehungen und familiärer Dynamiken, angesiedelt in außergewöhnlichen persönlichen Umständen. Ihre Charaktere, ob katholisch oder nicht-katholisch, kämpften mit inneren Konflikten und gegenseitigen Einflüssen, die aus ihrem Hintergrund und unvollständigem Selbstverständnis herrührten. White durchdrang ihre Werke mit ihren eigenen Kämpfen gegen psychische Erkrankungen, die sie als „Das Biest“ bezeichnete, und einem anhaltenden Gefühl des Scheiterns. Sie gab offen zu, dass der kreative Prozess für sie keine Quelle der Freude war, sondern eher ein Kampf gegen Selbstzweifel und „alte Schrecken“, der sie zwang, ihre eigene Existenz als Schriftstellerin zu beweisen.






Ein Meisterstück britischer Erzählkunst, voller Humor und sanfter Ironie - nicht nur für Katzenliebhaber ...
Throughout her life, Antonia White struggled with a formidable writer's block: the FROST IN MAY quartet was thought to be her final achievement. Yet on her death, this extraordinary work - her autobiography up to the age of six - was discovered among her papers. The freshness and vitality with which Antonia White recorded her much younger self is breathtaking. A writer with the phenomenal power of almost total recall, she recreates her capricious and extravagant mother and the indomitable father she both feared and adored, who taught Antonia the first line of the Iliad when she was three. Here, too, are perfect vignettes: the glorious bridesmaid's hat which her mother later appropriated; love at first sight in Kensington Gardens and games of Mr and Mrs John Barker in the nursery. Much more than an evocation of childhood, AS ONCE IN MAY illuminates the woman and writer Antonia White was to become. It is an essential and enthralling companion to her fiction.
Evelyn Waugh called her one of the very best novelists of the day - a title she still deserves' Carol Shields
Antonia White's sustained portrayal of Clara's budding into womanhood is a masterpiece' The Boston Globe
Evelyn Waugh called her one of the very best novelists of the day - a title she still deserves' Carol Shields
'Frost in May is the unsurpassed novel of convent school life. This story of a clash between a determined young girl and an authoritarian regime is both perceptive and painfully emotional, convincing in every detail' - Hermione Lee, Observer With a new introduction by Tessa Hadley Nanda Gray, the daughter of a Catholic convert, is nine when she is sent to the Convent of Five Wounds. Quick-witted, resilient and eager to please, she accepts this closed world where, with all the enthusiasm of the outsider, her desires and passions become only those the school permits. Her only deviation from total obedience is the passionate friendships she makes. Convent life is perfectly captured - the smell of beeswax and incense; the petty cruelties of the nuns; the eccentricities of Nanda's school friends. Books in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor and Faces in the Water by Janet Frame
With uncompromising clarity, in her careful, delicate prose, antonia White looks at the pains and joys of growing up, of falling in and out of love, the borderlands between love and loneliness, sanity and madness, belief and the loss of faith. First published in 1954, STRANGERS is here extended to include her autobiographical story, 'Surprise Visit'; together they present some of Antonia White's finest writing.
Contains the letters between Antonia White - a lapsed Catholic - and a former Jesuit novice. Although Antonia White returned to Church, these letters record the conflicts which preceded and followed this reconversion. They also chart the unfolding of an intimate relationship between them.