Gratisversand in ganz Deutschland!
Bookbot

Marcia Landy

    The Folklore of Consensus: Theatricality in the Italian Cinema, 1930-1943
    Fascism in Film
    Monty Python's Flying Circus
    Italian Film
    Cinema and Counter-History
    • Cinema and Counter-History

      • 312 Seiten
      • 11 Lesestunden
      3,7(3)Abgeben

      Marcia Landy, a Distinguished Professor at the University of Pittsburgh, specializes in English and Film Studies, with additional expertise in French and Italian. She has authored notable works, including "Stardom, Italian Style," which explores screen performance and personality in Italian cinema, highlighting her scholarly contributions to the understanding of film and cultural studies.

      Cinema and Counter-History
    • Italian Film

      • 458 Seiten
      • 17 Lesestunden
      3,6(16)Abgeben

      Examines the extraordinary cinematic tradition of Italy, from the silent era to the present.

      Italian Film
    • Monty Python's Flying Circus

      • 120 Seiten
      • 5 Lesestunden
      3,6(22)Abgeben

      Marcia Landy examines Monty Pythons Flying Circus within the context of its time, analyzing the show's influence on 1960s and 1970s British television as well as British cultural influence on the show's legendary material. Landy explores not only why the series' complex form of comedy was important but also why it was so well received.

      Monty Python's Flying Circus
    • Fascism in Film

      The Italian Commercial Cinema, 1931-1943

      • 372 Seiten
      • 14 Lesestunden

      The book explores the narrative themes and strategies of Italian commercial sound films during the fascist era, revealing that cultural expression was not solely dominated by official propaganda. Marcia Landy's analysis highlights the complexities of cultural life under fascism, showcasing how filmmakers navigated and responded to the political climate, thus offering a richer understanding of the era's artistic landscape.

      Fascism in Film
    • The analysis delves into the theatricality of Italian popular cinema during the 1930s and early 1940s, positing it as a political expression rather than mere propaganda. By challenging the perception of these films as merely escapist, it reveals their intricate layers that elevate them beyond frivolity. The work shifts focus from the grand spectacle of "fascinating fascism" to the more personal impact of mass culture, exploring its relevance in both historical and contemporary contexts.

      The Folklore of Consensus: Theatricality in the Italian Cinema, 1930-1943