David Bordwell zählt zu den einflussreichsten Filmwissenschaftlern der Vereinigten Staaten, bekannt für seine detaillierten Analysen von Filmstilen und -perioden. Seine Arbeiten, oft in Zusammenarbeit mit Kristin Thompson, konzentrieren sich auf ein tiefes Verständnis der Filmsprache und ihres historischen Kontexts. Bordwell widmet sich insbesondere dem klassischen Hollywood-Kino und der Filmkunst verschiedener Kulturen. Sein Einfluss reicht weit über die akademische Welt hinaus, da er eine Generation von Filmwissenschaftlern ausgebildet hat und seine Bücher in zahlreiche Sprachen übersetzt wurden.
Mit diesem Buch erscheint zum ersten Mal eine deutschsprachige Ausgabe der anschaulichen Lehre David Bordwells, die sich gleichermaßen an Fachleute und Laien richtet. Am Beispiel von vier ausgewählten Perioden der Filmgeschichte gibt der berühmte amerikanische Filmprofessor einen Überblick über die Kunst der Filmgestaltung. INHALT: Die Zeit des Stummfilms. Der frühe Tonfilm. Die Fünfzigerjahre. Die Neunzigerjahre.
Film Art is often assigned to college students taking their first film class. Authors David Bordwell and Kristin Thompson do not follow the traditional method of teaching film art through a close analysis of individual films. Instead, they provide an overview of the major issues students confront when they watch movies. In clear, straightforward prose, the authors describe and dissect the complexities of filmmaking, film narrative, film form, and film technique. This book serves as a fine introduction not only to the field of film studies, but also to the theories and concerns of two of the most important scholars in that field.
This comprehensive survey not only acknowledges the contributions of Hollywood and films from other US sources, but broadens its scope to examine film-making internationally.
This definitive study of Hong Kong cinema examines the work of directors such as Tsui Hark, John Woo, Ringo Lam, Johnnie To, King Hu, and Wong Kar Wai.
Focusing on the historical poetics of cinema, the author delves into how films are crafted within specific historical contexts to evoke particular effects. Drawing on twenty-five years of research, the analysis explores the intricate relationship between filmmaking practices and the cultural, social, and technological influences that shape them, offering valuable insights for film studies.
Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
"Arriving fifty years after Ebert published his first film review in 1967, this second edition of Awake in the Dark collects Ebert's essential writings. Featuring new Top Ten Lists and reviews of the years' finest films through 2012, this edition allows both fans and film buffs to bask in the best of an extraordinary lifetime's work."--Provided by publisher.
David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how popular culture has evolved over the past century.
Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.
