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Foster Hirsch

    Show boat
    Hollywood and the Movies of the Fifties
    The Dark Side of the Screen
    Kurt Weill on stage
    The Boys from Syracuse
    Elizabeth Taylor
    • The Boys from Syracuse

      The Shuberts' Theatrical Empire

      • 378 Seiten
      • 14 Lesestunden
      5,0(1)Abgeben

      Focusing on the rise of the Shubert brothers, the narrative chronicles their transformation from humble beginnings to the masterminds behind a theater monopoly from 1905 to 1929. Their aggressive business strategies and flair for showmanship established 42nd Street as a vibrant hub of American theater, attracting legendary stars like Al Jolson, Carmen Miranda, and Mae West. The book highlights their impact on the entertainment industry and the cultural landscape of the time.

      The Boys from Syracuse
    • Kurt Weill on stage

      • 416 Seiten
      • 15 Lesestunden
      4,0(2)Abgeben

      "The words are by Bertolt Brecht. The music is by Kurt Weill. The song is "Mack the Knife," the number-one song of Weill's internationally famous Threepenny Opera, originally performed on a stage in the Weimar Berlin of 1928. Its tough, sexy sound became, a quarter-century later, a signature song of America's greatest recording stars, among them Ella Fitzgerald and Frank Sinatra."

      Kurt Weill on stage
    • The Dark Side of the Screen

      • 264 Seiten
      • 10 Lesestunden
      4,1(51)Abgeben

      A revised and updated edition of the definitive study of film noir--the most original genre of American cinema--with a new epilogue by the author.

      The Dark Side of the Screen
    • Detours and Lost Highways

      • 398 Seiten
      • 14 Lesestunden
      3,6(44)Abgeben

      "Detours and Lost Highways begins with the Orson Welles film, Touch of Evil (1958), which featured Welles both behind and in front of the camera. That movie is often cited as the end of the line, noir's rococo tombstone... the film after which noir could no longer be made, or at least could no longer be made in the same way... It is my belief, Hirsch writes, that neo-noir does exist and that noir is entitled to full generic status. Over the past forty years, since noir's often-claimed expiration, it has flourished under various labels. Among the movies he discusses as evidence: Chinatown (1974), Body Heat (1981), John Woo's Hong Kong blood-ballets (e.g., The Killer, 1989) and the pulpy oeuvre of Quentin Tarantino." —Washington Post Book World

      Detours and Lost Highways
    • Looks at various film actors and actresses and discusses the importance of voice, body language, and physical looks in successful motion picture acting.

      Acting Hollywood Style