Devdutt Pattanaik Bücher

The book explores the contrast between Western management practices, focused on rigid objectives and shareholder value, and the Indian approach, which emphasizes subjectivity, diversity, and empathy. Drawing from Hindu, Jain, and Buddhist mythology, it uses stories and symbols to illustrate business concepts, advocating for a shift from a competitive, battleground mentality to a collaborative, joyful environment. Central to its message is the idea that attracting wealth fosters a harmonious workplace, while chasing it leads to conflict.

High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.

Lakshmi massages Vishnus feet. Is this male domination? Kali stands on Shivas chest. Is this female domination? Shiva is half a woman. Is this gender quality? Why then is Shakti never half a man? Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The fourth title in the bestselling 7 Secrets series focuses on the Goddess and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

Have you lost all hope? Does the world feel bleak and unforgiving? The COVID-19 crisis has seen many of us lose family, friends, colleagues. How can you recover from this devastating loss? You are surrounded by anger and violence everywhere. Bad news hits you – a failing economy, climate change – every day. Do you want to run away? Are you anxious about money, your family, and your future? In this book, the author helps you to unravel your emotions and find a way to move from darkness into light. Using stories from our epics and concepts from Hindu, Buddhist, and Jain thought, he shows you a new way to look at your life and gives you the tools to find hope again. Simple yet profound, moving and stimulating, Hope will change the way you view the world and help you find your path again.

Exploring the rich tapestry of Indian marriage customs, this work draws from a vast array of sources, including Vedic texts, Puranic stories, and regional folklore, spanning 3000 years and diverse geographies. The author, Devdutt Pattanaik, unveils the intricate narratives that illustrate the varied beliefs and practices surrounding marriage in India, highlighting both their diversity and evolution over time. This compilation offers a deep understanding of the cultural significance of marriage within Indian society.

'Devdutt Pattanaik is an exponent of myths, using them [to] deepen storytelling, and obtain a sense of life and living' -Scroll.in Hindu mythology is vast and voluminous. There is so much we don't know or that has not been presented in a simplified way, making sense to contemporary times. This special omnibus edition brings together two bestselling books by Devdutt Pattanaik, India's most famous and renowned mythologist. My Gita and My Hanuman Chalisa are part of a series where Devdutt does 'darshan' of the scriptures, not just gods, and helps readers navigate through scriptures that seem forbidding (Bhagavad Gita) and simple ones whose sophistication is often overlooked (Hanuman Chalisa)

Exploring the vibrant world of Hindu calendar art, this book delves into the rich symbolism behind the visual representations of gods and goddesses. Once confined to temples and manuscripts, this accessible art form now adorns homes across India, serving as a democratic expression of mythic imagery. Dr. Devdutt Pattanaik, a prominent mythologist, unravels the intricate meanings behind these colorful portraits, offering insights into the ancient wisdom that has shaped Indian culture for millennia.

SITA : AN ILLUSTRATED RETELLING OF THE RAMAYANAIt is significant that the only character in Hindu mythology, a king at that, to be given the title of ekam-patni-vrata, devoted to a single wife, is associated with the most unjust act of abandoning her in the forest to protect family reputation. This seems a deliberate souring of an uplifting narrative. Rams refusal to remarry to produce a royal heir adds to the complexity. The intention seems to be to provoke thought on notions of fidelity, property and self-image.And so the mythologist and illustrator Devdutt Pattanaik retells the Ramayana, drawing attention to the many oral, visual and written retellings composed in different times, in different places, by different poets, each one trying to solve the puzzle in its own unique way. This book approaches Ram by speculating on Sita: her childhood with her father, Janaka, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband, who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, emotions they shared; her connection with the earth, her mother, and with the trees, her sisters; her role as the Goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.

As he explores the layers of meanings embedded in Shiva's linga, we discover why and how the Goddess transforms Shiva, the hermit, into Shankara, the householder.