Magie im Mittelalter
- 263 Seiten
- 10 Lesestunden
Dieser Autor erforscht hauptsächlich das späte Mittelalter mit einem besonderen Interesse an Kirchenarchitektur sowie der Geschichte von Hexerei und Magie. Seine Arbeit untersucht, wie Gemeinschaften ein Gefühl geteilter Kultur trotz Unterschieden und Streitigkeiten schaffen und aufrechterhalten. Er beschäftigt sich mit der Verbindung von gewöhnlicher und außergewöhnlicher Frömmigkeit und den Spannungen zwischen gemeinsamer religiöser Kultur und außergewöhnlichen religiösen Erfahrungen. Außerdem analysiert er die Zusammenarbeit und Konflikte bei der Entstehung von Monumentalbauten, die gemeinschaftliche Interessen symbolisieren.
Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available.Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents--prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials.With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromantiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.
This textbook deals with magic, both natural and demonic, within the broad context of medieval culture. Covering the years c. 500 to 1500, with a chapter on antiquity, it invesigates the way magic relates to the many other cultural forms of the time, such as religion and science, literature and art. The book begins with a full discussion of the social history of magic and of the ways in which magical beliefs borrowed from a diversity of cultures. Thereafter, within a wider study of the growth and development of the phenomenon, the author shows how magic served as a point of contact between the popular and elite classes, how the reality of beliefs is reflected in the fiction witchcraft led to changes in the law. The chapter on medieval literature, and how the permagicalsecution of magic and er on necromancy is the most original, based largely on unpublished manuscripts and arguing for a new interpretation of the material. Adopting an interdisciplinary approach Professor Kieckhefer has taken magic from its cultural isolation and placed it firmly at the crossroads of medieval culture, as a focal point for our understanding of many other aspects of medieval history.
Their Foundations in Popular and Learned Culture, 1300-1500
Focusing on the formative years of witchcraft beliefs from 1300 to 1500, this study explores the distinction between popular and learned perceptions of witches, who were viewed as heretics and Devil worshippers by early European courts. The author introduces a unique methodology to differentiate between these concepts, allowing for critical analysis of various documents related to witchcraft. This examination sheds light on the evolving ideas surrounding witchcraft and the increasing fervor of witch-hunting during this pivotal period.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.