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Robert Venturi

    25. Juni 1925 – 18. September 2018

    Robert Charles Venturi, Jr. war ein amerikanischer Architekt und Gründungschef von Venturi, Scott Brown and Associates, eine Schlüsselfigur des architektonischen Denkens des 20. Jahrhunderts. Gemeinsam mit seiner Frau und Partnerin Denise Scott Brown prägte er maßgeblich, wie Architekten, Stadtplaner und Studenten Architektur und die gebaute Umwelt Amerikas wahrnehmen und darüber nachdenken. Ihre Gebäude, Planungen, theoretischen Schriften und Lehrtätigkeiten erweiterten den Diskurs über Architektur. Venturi ist auch bekannt für die Prägung des Mottos „Weniger ist langweilig“, eine postmoderne Antithese zu Mies van der Rohes berühmtem modernistischem Diktum „Weniger ist mehr“.

    Robert Venturi
    Learning From Las Vegas
    Complexity and contradiction in architecture
    Iconography and Electronics Upon a Generic Architecture
    Architect
    Lernen von Las Vegas: Zur Ikonographie und Architektursymbolik der Geschäftsstadt
    Las Vegas Zeichen
    • Architect

      The Pritzker Prize Laureates in Their Own Words - Revised and Updated

      • 464 Seiten
      • 17 Lesestunden

      In this completely revised and up-to-date edition, the world's most accomplished architects -- Gehry, Pei, Meier, Nouvel, Piano, and 37 more-express their views on creativity, inspiration, and legacy in this visually stunning, one-of-a-kind collection. The Pritzker Prize is the most prestigious international prize for architecture. Architect includes all 42 recipients of the Pritzker Prize, and captures in pictures and their own words their awe-inspiring achievements. Organized in reverse chronological order by laureate each chapter features four to six of the architect's major works, including museums, libraries, hotels, places of worship, and more. The text, culled from notebooks, interviews, articles, and speeches illuminates the architects' influences and inspirations, personal philosophy, and aspirations for his own work and the future of architecture. The book includes More than 1000 stunning photographs, blueprints, sketches, and CAD drawings. Architect offers an unprecedented view into the minds of some of the most creative thinkers, dreamers, and builders of the last three decades and reveals that buildings are political, emotional, and spiritual.

      Architect
      4,0
    • This new collection of writings in a variety of genres argues for a genericarchitecture defined by iconography and electronics, an architecture whose elemental qualitiesbecome shelter and symbol.

      Iconography and Electronics Upon a Generic Architecture
      3,9
    • First published in 1966, and since translated into 16 languages, this remarkable book has become an essential document in architectural literature. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards.

      Complexity and contradiction in architecture
      4,1
    • Learning From Las Vegas

      The Forgotten Symbolism of Architectural Form - Revised Edition

      • 192 Seiten
      • 7 Lesestunden

      This revision, first published in 1972, sparked significant debate by urging architects to align more closely with the tastes and values of everyday people, moving away from grandiose, self-serving structures. It retains the full texts of Part I, focusing on the Las Vegas strip, and Part II, which discusses "Ugly and Ordinary Architecture, or the Decorated Shed," drawing conclusions about symbolism in architecture and urban sprawl from the first part. Notably, the final section on the architectural contributions of Venturi and Rauch is omitted in this edition. The new paperback format is smaller, features fewer images, and is priced more affordably than the original. Additionally, it includes a new preface by Scott Brown and a bibliography of writings related to Venturi and Rauch and their work. The book continues to challenge conventional architectural norms and encourages a more inclusive approach to design.

      Learning From Las Vegas
      4,0