Zu viele Noten, Mr. Mozart. Kriminalroman.
- 222 Seiten
- 8 Lesestunden
Robert Barnard schuf fesselnde Kriminalgeschichten, die sich mit den dunkleren Strömungen scheinbar ruhiger Schauplätze befassen und komplexe menschliche Psychologien enthüllen. Sein Werk zeichnet sich durch scharfen Witz, präzise Beobachtungsgabe und eine ausgeklügelte Handlungsführung aus, die den Leser bis zum Schluss rätseln lässt. Barnard erforscht oft die komplizierten sozialen Dynamiken und verborgenen Geheimnisse innerhalb von Gemeinschaften und bietet ein nuanciertes und fesselndes Leseerlebnis. Seine unverwechselbare Erzählstimme und cleveren Wendungen festigen seinen Ruf als bedeutende Stimme der Kriminalliteratur.







In einem kleinen Dorf in Yorkshire kommt Perry Trethowan, ein Beamter von Scotland Yard, im Pub mit einer älteren Dame ins Gespräch. Diese erzählt ihm, daß sie sich im Besitz eines Manuskripts aus dem Nachlaß Emily Brontes befindet. Kurz darauf wird die alte Dame in ihrem Cottage niedergeschlagen, und von dem Manuskript fehlt jede Spur. Perry Trethowan nimmt die Ermittlungen auf und macht dabei die Bekanntschaft höchst unliebsamer Gestalten.
The Ketterick Festival revolves around the Saracen’s Head, a Jacobean inn with its inn-yard and balconies miraculously preserved intact, due to the sloth of successive landlords. Here in festival time are performed the lesser-known masterpieces of Elizabethan and Jacobean theatre. This year it is The Chaste Apprentice of Bowe (a play of uncertain authorship, since no one owned up at the time). But the actors find that the Saracen’s Head has been transformed by its new landlord – an Australian know-all with an insatiable curiosity and an instinct for power. The loathsome Des’s activities bring him into conflict with actors, committee, even the performers of Adelaide di Birckenhead, the little-known Donizetti opera that is the other lynchpin of the Festival programme. So adept is Des at fomenting friction and ferreting in the undergrowth of private lives that it is not surprising that it all ends in biers.
Colin Pinnock, on top of the world when he is selected as a junior minister to the new Prime Minister, receives a mysterious note that sends him into a world of mystery and murder.
Assigned as British Princess Helena's personal bodyguard, Scotland Yard Detective Perry Trethowan struggles to defend his own virtue against the lascivious princess while tracking down the methodical killer who is murdering her numerous lovers.
With the Nazis bombing London on a nightly basis, many working-class families sent their children to the comparative safety of the countryside. When the Blitz ended, the families came for their kids...but no one ever came for Simon Thorn. His name appears on no list of the evacuated children. And none of his meager belongings offer any clues as to his origins. Now an adult, newly moved to London, Simon is puzzled by an odd sense of familiarity when he walks down certain streets. He remembers his years of screaming nightmares that would terrify his his bewildered foster parents. And he resolves, once and for all, to find out where he originally came from...even as everything he uncovers suggests that, really, he doesn't want to know. Barnard untangles his riddle with great skill, and is likely to outwit all but a handful of readers - New York TimesIdeal for fans of Ruth Rendell and John Lawton Multi-award-winning author
Caroline Fawley is living in the Yorkshire village of Alderley. Her wealthy boyfriend keeps her in the lap of luxury. Life couldn't get much better. Then her boyfriend Marius goes missing and later a body turns up and that idyllic life is completely shattered. Originally published: 2002.
Inspector Perry Trethowan reads in the obituaries that his estranged father has died under peculiar circumstances: he was fooling around with a form of self-torture called strappado. At the request of his supervisor, Peter returns to his ancestral home to determine if any of his cousins or siblings might have helped the old man to his bizarre end