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Doireann Ní Ghríofa

    Doireann Ní Ghríofa
    Lies
    To Star the Dark
    Clasp
    Ein Geist in der Kehle
    • 2021

      Do our passions control us or us them? These poems find themselves asking such questions in hospitals, in cellars, in Parisian parks and American laundromats, inside our screens and beyond them. Poems of blood and birdsong, of rain and desire, of aftermath and ambivalence, each spoken by a voice, which - like the starlings - sings, at once, both past and present. "Looking into the dark sky of history, Doireann Ní Ghríofa calls up an illuminating fire, a night constellated into images of passion and destruction. An astrologer of the body, its endurance and its vulnerability, Ní Ghríofa is a poet of daring skill. Lyrical, searching and enchanted, To Star the Dark is a blazing, brave collection." - Seán Hewitt "Like [Eavan] Boland, Ní Ghríofa constructs a mysterious world for her readers from the matter of ordinary life. The poems of this collection impress upon us that magic and depth can be found in the minutiae of the everyday." - Poetry Ireland Review, on Lies

      To Star the Dark
    • 2020

      Ein Geist in der Kehle

      • 384 Seiten
      • 14 Lesestunden
      4,2(440)Abgeben

      Die Geschichte thematisiert das Sichverlieren und Finden im Lauf der Jahrhunderte, wobei sie einen besonderen Fokus auf weibliche Perspektiven legt. Der Text wird als essenziell beschrieben, um die Stimmen und Erfahrungen von Frauen in den Vordergrund zu rücken. Die Autorin Mareike Fallwickl hebt die Bedeutung dieses Werkes hervor und betont, dass es in der heutigen Zeit besonders relevant ist.

      Ein Geist in der Kehle
    • 2018

      "Poems in Irish with English translations by the author" --front cover

      Lies
    • 2015

      Clasp

      • 74 Seiten
      • 3 Lesestunden
      4,3(131)Abgeben

      Clasp is award-winning poet Doireann Ní Ghríofa’s first English-language collection of poems. In three sections entitled ‘Clasp’, ‘Cleave’ and ‘Clench’, Ní Ghríofa engages in a strikingly physical way with the world of her subject matter. The result is by times what one poem calls ‘A History in Hearts’, among other things an intimate exploration of love, childbirth and motherhood, and simultaneously a place of separation and anxiety. In one poem set in the boys’ home in Letterfrack, a place of undeniable terror, we see how, in the name of religion, “The earth holds small skulls like seeds”.

      Clasp