Julian Stallabrass Bücher

Contemporary art has never been so popular - but the art world is changing. Julian Stallabrass explores new movements in contemporary art, from the rise of super-rich private collectors, and increasing globalisation which has expanded a formerly Western-centric focus, to the advent of the artist as a 'brand'.

The author critiques the cultural studies industry for fostering a superficial relativism in the study of mass culture. Through a thoughtful examination, Stallabrass challenges the prevailing attitudes towards popular culture, advocating for a more nuanced and critical approach. This work delves into the complexities of cultural analysis, highlighting the importance of depth and rigor in understanding the impact of mass culture on society.

Contemporary art has never been so popular, but what is its role today and who is controlling its future? Contemporary art is supposed to be a realm of freedom where artists shock, break taboos, flout generally received ideas, and switch between confronting viewers with works of greatemotional profundity and jaw-dropping triviality. But away from shock tactics in the gallery, there are many unanswered questions. Who is really running the art world? What effect has America's growing political and cultural dominance had on art?Here Julian Stallabrass takes us inside the international art world to answer these and other controversial questions, and to argue that behind contemporary art's variety and apparent unpredictability lies a grim uniformity. Its mysteries are all too easily explained, its depths much shallower thanthey seem. Contemporary art seeks to bamboozle its viewers while being the willing slave of business and government. This book is your antidote and will change the way you see contemporary art.About the Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundredsof key topics, from philosophy to Freud, quantum theory to Islam.

Exploring the role of photography in contemporary warfare, the book highlights its dual function as both propaganda and documentation. It examines how images from close-quarters combat to drone surveillance shape public perception and serve as evidence of brutal events, including the My Lai massacre, the suppression in Fallujah, and the abuses at Abu Ghraib. Through this lens, the author delves into the ethical implications and the power dynamics of visual representation in conflict.

For eight years, the American naval base at Guantanamo Bay on Cuba has been home to hundreds of men, all Muslim, all detained in the aftermath of the 9/11 and most guilty of nothing more than being in the wrong place at the wrong time. Through powerful imagery, Clark illustrates three experiences of the naval base, as a home to a US community, as a prison and as a memory to former detainees who, never having been charged, now have to rebuild their lives. This is an unsettling narrative evoking the disorientation central to Guantanamo incarceration and interrogation.