Bookbot

Linda M. Shires

    Telling Stories
    Perspectives
    Far from the Madding Crowd
    • Far from the Madding Crowd

      • 448 Seiten
      • 16 Lesestunden

      'Every green was young, every pore was open, and every stalk was swollen with racing currents of juice' WITH AN INTRODUCTION BY LUCY HUGHES-HALLETT Bathsheba Everdene arrives in the small village of Weatherbury and captures the heart of three very different men; Gabriel Oak, a quiet shepherd, the proud, obdurate Farmer Boldwood and dashing, unscrupulous Sergeant Troy. The battle for her affections will have dramatic, tragic and surprising consequences in this classic tale of love and misunderstanding.

      Far from the Madding Crowd
      4,2
    • Perspectives

      Modes of Viewing and Knowing in Nineteenth-Century England

      • 172 Seiten
      • 7 Lesestunden

      Focusing on the 1830s to the late 1870s, this work explores the evolution of classical perspective in aesthetic practices in England. Linda M. Shires highlights how artists and writers innovatively employed techniques of dissolution, combination, and multiple viewpoints, challenging the conventional timeline established by intellectual historians. Through a detailed examination of various texts and artistic expressions, the book reveals the early experimentation that shaped the visual and literary landscape of the period.

      Perspectives
    • Telling Stories

      A Theoretical Analysis of Narrative Fiction

      • 197 Seiten
      • 7 Lesestunden

      Telling Stories overturns traditional definitions of narrative by arguing that any story, whether a Bette Davis film, a jeans ad, a Jane Austen novel or a 'Cathy' comic, must be related to larger cultural networks. The authors show how meanings and subjectivity do not exist in isolation, but are manufactured by the narratives our culture reads and watches every day. They call for a critical practice that, through the fracturing of texts, can alter the grounds of knowledge and interpretation. This timely study will interest critics of narrative and culture, as well as students wanting to extend post-Saussurean theories to poopular and canonical cultures, and to the dynamics of story-telling itself.

      Telling Stories