Exploring themes of science fiction and the supernatural, this collection features short stories penned by E. M. Forster between 1903 and 1914. Originally published in 1928, these narratives showcase Forster's early literary style, blending imaginative concepts with poignant reflections on human experience. The stories were later included in his Collected Short Stories, highlighting their enduring significance in Forster's oeuvre.
The intersecting lives of the intellectual Schlegel sisters and the conventional Wilcox family in early 20th century England highlight themes of class conflict and social change. Through their interactions, the story explores the tensions between different social classes and the evolving societal landscape of the time.
Cultural conflicts and racial tensions unfold in Chandrapore as British visitors Adela Quested and Mrs. Moore navigate their experiences. Their relationships with Indian physician Dr. Aziz reveal deep-seated prejudices that exist between the colonizers and the colonized, challenging their perceptions and highlighting the complexities of colonial India.
Essays | Deutsche Erstveröffentlichung
Die ausgewählten Texte aus den Bänden »Abinger Harvest« (1936) und »Two Cheers for Democracy« (1951) sind eindringliche Plädoyers für Demokratie und Menschlichkeit. Forster schreibt mit einer bewundernswerten Sanftheit und im felsenfesten Glauben an die Bedeutung persönlicher Beziehungen über das Ideal der Verbundenheit untereinander. In der ersten Hälfte des 20. Jahrhunderts prägen Antisemitismus und Rassismus gesellschaftliche Diskurse, nicht zuletzt gab es zwei Weltkriege. In Forsters Augen ist die Kunst das einzige menschliche Produkt mit einer immanenten inneren Ordnung, das Halt in den Wirren der Zivilisation bieten kann. Forster plädiert in seinen Texten für die Zuwendung zu den Künsten gerade in Zeiten von Kriegen und nationalistischen Tendenzen. Dank der literarischen Strahlkraft der Essays werden wir heute wieder daran erinnert.
A searing collection of E. M. Forster’s short stories about forbidden sexuality and desire‘Madness, isn’t it? What can it matter to anyone else if you and I don’t mind?’Exploratory, experimental and pioneering, the short stories collected in this volume show E. M. Forster writing about love between men with sensitivity, honesty, anger and humour. Written between 1903 and 1958, only two of the fourteen stories here appeared in print in Forster’s lifetime; most remained unpublished while homosexuality was a crime. They range from light-hearted, satirical pieces to moving, highly charged depictions of desire and shared intimacy – a Christian missionary tormented by longing in ‘The Life to Come’; a fateful woodland encounter in ‘Arthur Snatchfold’; an illicit affair between a young English officer and his Indian friend in ‘The Other Boat’ – and explore the gap between private and public selves, and the places where love, class, race and sexuality collide.
Are we witnessing a psychotic break? Or, has someone with physical features strikingly similar to his own spotted an opportunity, and seized it?
Set against the backdrop of colonial British India, the story explores the complexities of cultural clashes and the intricacies of friendship. Through rich landscapes and vivid characters, it delves into themes of identity, race, and the impact of colonialism, inviting readers to reflect on the connections and misunderstandings between the British and Indians. E. M. Forster masterfully captures the tensions and beauty of a society in transition.
Set against the backdrop of early 20th-century Europe, E.M. Forster's novel explores themes of love, social conventions, and self-discovery. The story follows a young woman navigating her emotions and societal expectations while traveling in Italy. Through her experiences, she confronts the contrasts between the constraints of Edwardian society and the pursuit of personal freedom. The narrative balances humor with poignant reflections on the complexities of relationships and the quest for authenticity.
Set during the British Raj amidst rising racial tensions and the Indian independence movement, the story follows Adela Quested, a young British woman visiting India. She seeks clarity on a potential marriage while navigating cultural complexities. When Dr. Aziz, a local physician, is accused of assaulting her, the ensuing trial exacerbates the already strained relations between the British and Indians, highlighting themes of colonialism, identity, and justice.