Raoul Eshelman Bücher

Die Erkenntnisse und Entwicklungen der Postmoderne, den gesellschaftlichen Diskurs für etwa ein halbes Jahrhundert dominierend, haben sich ausgereizt. Neue Literaturformen, Kunst- und Bauwerke und Philosophien treten zu Tage. Wir sind in eine neue Epoche Die Postpostmoderne. Raoul Eshelman untersucht diese Entwicklungen mithilfe seines epochalen Konzeptes des ‚Performatismus’, durch den er die Kennzeichen dieser neuen und aufregenden Zeit in Kunst, Philosophie, Film, Literatur und Architektur herauszulösen versteht.

Exploring the evolution of cultural theory, this work argues that since the mid-1990s, postmodernism has been supplanted by performatism, which emphasizes aesthetic experiences that evoke transcendence. The author seeks to deepen the understanding of performatism, highlighting how new strategies engage audiences in transformative ways. This ambitious study invites readers to reconsider the impact of contemporary art and media on perception and experience.

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Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism. The present study seeks to explain this marginal position by reinterpreting Gumilev's work within the broader context of a modernist aesthetic of order, or «neo-classical modernism.» The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valéry and Gide.