Peter Bialobrzeski Bücher

During his travels through China, Peter Bialobrzeski was fascinated by the so-called nail houses. Surrounded by tall, newly constructed buildings, these houses have been earmarked for demolition, but their owners resolutely refuse to vacate. In his thought-provoking series the artist photographs these isolated structures, often in the evening hours, when the brightly lit interiors convey the domestic comfort that these homes provide for their owners, despite all the cracks in the walls. Peter Bialobrzeski (* 1961 in Wolfsburg) uses his camera to offer these renitent structures moral support. Following the publication of Case Study Homes and Informal Arrangements, this striking series completing the Habitat trilogy poses uncomfortable questions to the viewer. It also emphatically underscores the fundamental right of every human being to a home and sense of security.

Set in early 1990s England, this captivating historical record features striking photographs by renowned German photographer Peter Bialobrzeski. The work captures the essence of the era, showcasing the social and cultural landscape through a unique visual lens. Bialobrzeski's artistry offers a profound insight into the life and environment of the time, making it a significant contribution to both photography and historical documentation.

His book of photos, The Raw and the Cooked, Peter Bialobrzeski sets forth the essence of his observations from his unique series of photos about the development of Asian mega-cities (Neon Tigers, Lost in Transition) and their slums (Case Study Homes). Starting with the simplest, homemade vernacular architecture, based on human proportions and made with found construction materials, his photos range as far as the exorbitant planned cities of glass, steel, and concrete. Buildings rise higher and higher into the sky, more and more resources are wasted, the new unmercifully shoves aside the old. Seductively beautiful tableaux from fourteen different countries depict the kind of "progress" that triggers a sense of anxiety and trepidation. Where is all of this leading?

In nineteenth-century Calcutta, a wealthy Indian elite emerged under the rule of the British East India Company. For their homes, they built eclectic Bengali equivalents of industrialist mansions, which blended traditional Mogul architecture with more classical Western elements. Today these crumbling villas and palaces retain only a shred of their former splendor, and it seems only a matter of time before they will disappear for good. In this volume, 21 emerging photographers work with Peter Biaolobrzeski to capture the fading grandeur of this rich hybrid structures. In 2007, Germany's respected daily newspaper Suddeutsche Zeitung commented, "If Calcutta had the appeal of Havana, its palaces would long ago have become the subject of various coffee-table books." At last, such a book exists.