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Music and performance during the Weimar Republic

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Composers, performers, and audiences alike sought to negate their recent post in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes.

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Music and performance during the Weimar Republic, Bryan Gilliam

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Erscheinungsdatum
1994
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