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End of art - endings in art

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  • 324 Seiten
  • 12 Lesestunden

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Did the end of the millennium signify the end of art? What might follow this conclusion? How does art conceptualize endings and address the notion of closure? These pivotal questions were posed to prominent thinkers in the philosophy of art, including Arthur C. Danto, Dieter Henrich, Richard Shusterman, and René Passeron. Their insights explore the relationship between art and the idea of an ending. The contributors delve into various aspects of this theme. Gerhard Seel examines the implications of the millennium's end on art. Dieter Henrich discusses subjectivity in relation to artistic expression. Arthur C. Danto reflects on the work of art and its historical trajectory. Richard Shusterman introduces the concept of somaesthetics and its connection to the ends of art. René Passeron argues that art will not come to an end. Other essays tackle topics such as the potential incurability of art's maladies, the intersection of philosophy and art, and the significance of Duchamp's final works. The collection offers a rich tapestry of perspectives, inviting readers to contemplate the future of art in the context of its past and the philosophical inquiries surrounding its existence and purpose.

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End of art - endings in art, Gerhard Seel

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Erscheinungsdatum
2006
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