Die Erfindung von Landschaft in Mittelalter und Renaissance

Autor*innen

• Pia Claudia Doering

Parameter

• Lehrbücher
• Sprachbücher & -lexika

Mehr zum Buch

B. Full / P. Doering / K. Westerwelle introduce a collection of essays exploring the interplay of landscape and literature. F. Hassauer examines collective sacred landscapes through the lens of the crusader Joinville and the Iacobus maior of Compostela. K. P. Ellerbrock discusses the invention of a topos in the Chanson de Roland, while S. Bauer analyzes the sleeping forest in Guido da Pisa's illuminated commentary on Dante. F. Wille explores painted landscapes in the Trecento, and A. Fabris delves into natural and artificial spaces in short prose of the same period. P. C. Doering investigates legal spaces in Boccaccio's Decameron, and E. Tiller reflects on Antonio Averlinos' aesthetic play in landscape invention. C. Fasbender focuses on landscape in urban praise, while J. Nassichuk discusses the poetic signature of Naples' Aragonese court. K. Peters interprets Sannazaro's journey to the underworld in the context of Arcadian landscapes. A. Traninger addresses the culture of weeping in pastoral novels, and W. Matzat questions nature's conception in early modern Spanish texts. O. Millet analyzes the Petrarchan topoi in Maurice Scève's Délie, and C. Bonhoff examines Ronsard's heroic landscape style. K. Westerwelle reflects on space and perception in Ronsard's poetry, while B. Full concludes with a discussion on the ephemeral nature of the world and self-creation in the works of Du Bellay and Ronsard. S. Schneider bridges nature an

• Sprache: Deutsch
• Erscheinungsdatum: 2023