Mehr zum Buch
The book explores the intersection of popular seriality, critical reception, and gender theory across various television series. It begins with an examination of identity and disorientation in postmodern detective series, specifically Kenneth Branagh's adaptation of "Wallander." The analysis continues with reflections on stereotypes and mundane settings in "Tatortreiniger," alongside gender dynamics in "Tatort: Im Schmerz geboren." The discussion of intersectionality and seriality is highlighted through "Orange Is The New Black," while female characters' appropriation of space is analyzed in "Mad Men." The complexities of gender and genre are explored in "Sons of Anarchy," focusing on the construction of multiple gender identities in the BBC series "Jekyll." Additionally, gender construction in sci-fi anime is discussed through "Captain Future," "Saber Rider," and "Cowboy Bebop," as well as androgyny in "Avatar: The Last Airbender." The portrayal of zombies in "The Walking Dead" and the comedic representation of gender and feminism in "30 Rock" are also examined. The book concludes with discussions on hegemonic masculinity in "Californication," gender and spatial construction in "Boston Legal," and the representation of the Southern United States in "Hart of Dixie" and "True Detective," alongside the masculine archetype of the mad scientist in "Rick and Morty" and "Doctor Who."
Buchkauf
Gender und Genre, Urania Milevski
- Sprache
- Erscheinungsdatum
- 2018
Lieferung
- Gratis Versand in ganz Deutschland!
Zahlungsmethoden
Keiner hat bisher bewertet.