"... doch nicht nur für die Zeit geschrieben"

Autor*innen

• Michael Pilz

Parameter

• 267 Seiten
• 10 Lesestunden

• Lehrbücher
• Universitätslehrbücher

Mehr zum Buch

R. Selbmann explores how an author responds to the treatment of their texts. R. G. Czapla examines hagiographic writing in Ernst Toller's "Eine Jugend in Deutschland." S. Neuhaus discusses the reflexive-literary concept in "Briefe aus dem Gefängnis" (1935). I. Zanol questions whether "Pastor Hall" is a plagiarism. L. Mühlbach analyzes the early reception of "Pastor Hall" as a radio play in Swedish and German broadcasting. S. Schletterer investigates Peter Zwetkoff's reception of Toller. G. Brunner looks at Toller’s influence in music, from stage scores and song adaptations to ballet interpretations and the incorporation of his texts in music theater. S. Zupfer discusses Max Herrmann-Neiße's perception of Toller in late Expressionist journals. P. Langemeyer addresses the political reception conditions and media impact of Toller's visit to Oslo in March 1927. H. F. Pfanner compares Oskar Maria Graf and Ernst Toller. M. Pilz reviews how Hans Naumann engaged with Toller’s work. V. Schuchter reflects on Toller's rediscovery in the feuilleton after 1955. K. Reimers analyzes the dual reception of Toller before and after 1945. P. Quadrelli discusses Monika Maron's dialogue with Toller. S. Fornaro examines the literary portrayal of Toller in Anna Funder's "Alles was ich bin." K. Reimers concludes with insights from a conversation with Albert Ostermaier.

• Sprache: Deutsch
• Erscheinungsdatum: 2018
• Einband: Paperback