Parameter
Kategorien
Mehr zum Buch
Hee Sook Kim has long demonstrated an affinity for hybrid identities; as a woman who grew up in Korea and who has taught for more than a decade at Haverford College in the suburbs of Philadelphia, she has internalized experience from two very different places and cultures. Kim has evolved a style that greets the ephemeral as well as the insights she gained as an artist working for more than a decade in New York. Her work, with its decorative patterns and exquisite designs, invites her audience to view the traces of her long and varied journey as a Korean, an emigrant, and a woman. Using her sensibility with unusual skill, Kim attaches care and energy to her lyric compositions, conversational echoes that build a dialogue between cultures and their differing attitudes toward art. Kim places craft at the center of her art, a masterful combination of skill, thought, and emotion. Kim experiments in an eclectic and international field of source materials. Kim’s association with abstraction balances her aesthetic; her imagery engages in a supportive system of reference affecting both new and historical creativities. Metaphor lies at the root of innovation; the rhetorical play between image and eye draws connections powerfully new to audience. Kim offers the merger of styles that culminates in a synthesis lyrical in nature. We can call her manner of working a visual poetry that both acknowledges cultural bias and works to transcend that bias within her artistic explorations. Jonathan Goodman (NY based critic)
Buchkauf
ARTBOX.PROJECT New York 1.0 HEE SOOK KIM, Patricia Zenklusen
- Sprache
- Erscheinungsdatum
- 2018
- product-detail.submit-box.info.binding
- (Paperback)
Lieferung
Zahlungsmethoden
Feedback senden
- Titel
- ARTBOX.PROJECT New York 1.0 HEE SOOK KIM
- Sprache
- Deutsch
- Autor*innen
- Patricia Zenklusen
- Verlag
- epubli
- Erscheinungsdatum
- 2018
- Einband
- Paperback
- ISBN10
- 3746707528
- ISBN13
- 9783746707525
- Kategorie
- Kunst & Kultur
- Beschreibung
- Hee Sook Kim has long demonstrated an affinity for hybrid identities; as a woman who grew up in Korea and who has taught for more than a decade at Haverford College in the suburbs of Philadelphia, she has internalized experience from two very different places and cultures. Kim has evolved a style that greets the ephemeral as well as the insights she gained as an artist working for more than a decade in New York. Her work, with its decorative patterns and exquisite designs, invites her audience to view the traces of her long and varied journey as a Korean, an emigrant, and a woman. Using her sensibility with unusual skill, Kim attaches care and energy to her lyric compositions, conversational echoes that build a dialogue between cultures and their differing attitudes toward art. Kim places craft at the center of her art, a masterful combination of skill, thought, and emotion. Kim experiments in an eclectic and international field of source materials. Kim’s association with abstraction balances her aesthetic; her imagery engages in a supportive system of reference affecting both new and historical creativities. Metaphor lies at the root of innovation; the rhetorical play between image and eye draws connections powerfully new to audience. Kim offers the merger of styles that culminates in a synthesis lyrical in nature. We can call her manner of working a visual poetry that both acknowledges cultural bias and works to transcend that bias within her artistic explorations. Jonathan Goodman (NY based critic)