Creating ambiguity in music

Creating Ambiguity in Music This artistic research explores musical ambiguity, that is created through the contrast of ‘soft sound clouds’ with passages of strong motoric drive, energised by deconstructing musical fragments. Ideas of ‘deconstruction’ and ‘presence versus absence’ inspired me during this adventure. By both accepting and repurposing binary hierarchies in the context of musical memory and embodiment, I hope to expose new aural viewpoints. As a pianist myself, I realise that the physicality of performing and practicing demands my passionate dedication to instrumentalism as a composer, the identification with phenomenological embodied consciousness of sound and an empathetic approach to musical collaborations.