REAL/REAL. Vol. 1
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Frontmatter -- Notice to Contributors -- Editors' Preface -- Contents -- Addresses of Editors -- Addresses of Contributors -- Knowledge of 'Beowulf' in its Own Time -- Comment on "Knowledge of 'Beowulf' in its Own Time" by Professor Frederic G. Cassidy -- Henry Fielding and Jacques Esprit -- National Stereotypes in Literature in the English Language: A Review of Research -- The Decentered Center of Ezra Pound's Hugh. Selwyn Mauberley -- „A Constitutional Inability to Say Yes:“ Thorstein Vehlen, the Reconstruction Program of The Dial, and the Development of American Modernism after World War I -- How Stories Begin: Devices of Exposition in 600 English, American and Canadian Short Stories -- Two Recreate One: The Act of Collaboration in Recent Black Autobiography -- The Fantastic in Fiction: Its 'Reality' Status, its Historical Development and its Transformation in Postmodern Narration -- Research in Progress
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REAL/REAL. Vol. 1, Herbert Grabes
- Sprache
- Erscheinungsdatum
- 1982
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- Titel
- REAL/REAL. Vol. 1
- Sprache
- Englisch
- Autor*innen
- Herbert Grabes
- Verlag
- De Gruyter
- Erscheinungsdatum
- 1982
- Einband
- Hardcover
- ISBN10
- 3112311299
- ISBN13
- 9783112311295
- Reihe
- REAL
- Kategorie
- Andere Lehrbücher
- Beschreibung
- Frontmatter -- Notice to Contributors -- Editors' Preface -- Contents -- Addresses of Editors -- Addresses of Contributors -- Knowledge of 'Beowulf' in its Own Time -- Comment on "Knowledge of 'Beowulf' in its Own Time" by Professor Frederic G. Cassidy -- Henry Fielding and Jacques Esprit -- National Stereotypes in Literature in the English Language: A Review of Research -- The Decentered Center of Ezra Pound's Hugh. Selwyn Mauberley -- „A Constitutional Inability to Say Yes:“ Thorstein Vehlen, the Reconstruction Program of The Dial, and the Development of American Modernism after World War I -- How Stories Begin: Devices of Exposition in 600 English, American and Canadian Short Stories -- Two Recreate One: The Act of Collaboration in Recent Black Autobiography -- The Fantastic in Fiction: Its 'Reality' Status, its Historical Development and its Transformation in Postmodern Narration -- Research in Progress