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In 1686 King Louis XIV of France had the great Hall of Mirrors in Versailles specially prepared to receive a group of foreign envoys. The envoys brought with them two shiploads of gifts for the court. In fact, they delivered so many objects of gold, silver, and lacquer that the French complained their list would be as long as a book. The envoys had been sent from the kingdom of Ayutthaya, or "Siam," as it was known in the West. Though little remembered today, Ayutthaya was one of the largest and most important kingdoms in Southeast Asia. The Kingdom of Siam: The Art of Central Thailand, 1350–1800 documents the first U.S. exhibition of classical art from Thailand in more than thirty years. It collects eighty-nine of the finest surviving works from Ayutthaya; drawn from collections in Thailand, Europe, and the United States, many of these are being displayed for the first time in the West. The catalogue, prepared under the primary direction of Forrest McGill, chief curator of the Asian Art Museum, is not only a work of exceptional scholarship but also the fascinating story of a once-glorious culture that until now had been almost entirely lost in the mists of time.
Buchkauf
The Kingdom of Siam, Autorenkollektiv
- Sprache
- Erscheinungsdatum
- 2005
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- The Kingdom of Siam
- Sprache
- Englisch
- Autor*innen
- Autorenkollektiv
- Erscheinungsdatum
- 2005
- Einband
- Hardcover
- Seitenzahl
- 200
- ISBN10
- 158886085X
- ISBN13
- 9781588860859
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Bildende Kunst, Malerei & Bildhauerei
- Beschreibung
- In 1686 King Louis XIV of France had the great Hall of Mirrors in Versailles specially prepared to receive a group of foreign envoys. The envoys brought with them two shiploads of gifts for the court. In fact, they delivered so many objects of gold, silver, and lacquer that the French complained their list would be as long as a book. The envoys had been sent from the kingdom of Ayutthaya, or "Siam," as it was known in the West. Though little remembered today, Ayutthaya was one of the largest and most important kingdoms in Southeast Asia. The Kingdom of Siam: The Art of Central Thailand, 1350–1800 documents the first U.S. exhibition of classical art from Thailand in more than thirty years. It collects eighty-nine of the finest surviving works from Ayutthaya; drawn from collections in Thailand, Europe, and the United States, many of these are being displayed for the first time in the West. The catalogue, prepared under the primary direction of Forrest McGill, chief curator of the Asian Art Museum, is not only a work of exceptional scholarship but also the fascinating story of a once-glorious culture that until now had been almost entirely lost in the mists of time.