The Representation of World War One in Film and its Effect on Collective Memory

The thesis explores the representation of the First World War in cinema through the lens of collective memory and film theory, referencing Assmann's concepts. It includes analyses of three films—All Quiet on the Western Front (1930), Paths of Glory (1957), and The Trench (2000)—to illustrate how these portrayals shape contemporary perceptions of the war. The conclusion critiques the enduring cinematic narratives since 1930 and posits that the war significantly contributed to the rise of film as a global medium.