Mehr zum Buch
Jillian Medoff presents an intriguing premise that takes unexpected turns, blending delight with debauchery. Janey Fabre, an actuary, studies mortality tables while hiding secrets about her past, her mother’s disappearance, and her obsession with her ex-boyfriend, Tobias. To move on, she joins group therapy, where she meets a cast of eccentric women: Suzanna, who prefers her lap dog to people; Laura, a nymphomaniac; Bethany, a divorcee living with her mother; Valentine, a shy beauty with compulsive eating habits; Ivy, a Botox enthusiast; and Natasha, who protects herself from germs with a facemask. Unbeknownst to them, Janey carries a list of suicide options, haunted by her mother’s absence. As the women confide in one another, they empower each other to tackle their issues, revealing their shared fear of emotional intimacy. Their neuroses lead to comedic yet tragic outcomes, culminating in a vengeful prank that results in unexpected pain and revelations for Janey. The narrative explores how these women gain control over their lives and relationships, blending humor with profound insights. This story of revenge and redemption serves as a poignant meditation on family—both past and present—highlighting the bonds we create as adults.
Buchkauf
Good Girls Gone Bad, Jillian Medoff
- Sprache
- Erscheinungsdatum
- 2002
- product-detail.submit-box.info.binding
- (Hardcover),
- Buchzustand
- Beschädigt
- Preis
- 8,17 €inkl. MwSt.
Keiner hat bisher bewertet.
- Titel
- Good Girls Gone Bad
- Sprache
- Englisch
- Autor*innen
- Jillian Medoff
- Erscheinungsdatum
- 2002
- Einband
- Hardcover
- Seitenzahl
- 304
- ISBN10
- 0066212693
- ISBN13
- 9780066212692
- Reihe
- Schlagwörter
- Belletristik, Romantik, Zeitgenössische Liebesromane, USA, Gruppentherapie
- Beschreibung
- Jillian Medoff presents an intriguing premise that takes unexpected turns, blending delight with debauchery. Janey Fabre, an actuary, studies mortality tables while hiding secrets about her past, her mother’s disappearance, and her obsession with her ex-boyfriend, Tobias. To move on, she joins group therapy, where she meets a cast of eccentric women: Suzanna, who prefers her lap dog to people; Laura, a nymphomaniac; Bethany, a divorcee living with her mother; Valentine, a shy beauty with compulsive eating habits; Ivy, a Botox enthusiast; and Natasha, who protects herself from germs with a facemask. Unbeknownst to them, Janey carries a list of suicide options, haunted by her mother’s absence. As the women confide in one another, they empower each other to tackle their issues, revealing their shared fear of emotional intimacy. Their neuroses lead to comedic yet tragic outcomes, culminating in a vengeful prank that results in unexpected pain and revelations for Janey. The narrative explores how these women gain control over their lives and relationships, blending humor with profound insights. This story of revenge and redemption serves as a poignant meditation on family—both past and present—highlighting the bonds we create as adults.