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Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts

Diese Reihe befasst sich mit alternativen Modernismen und untersucht verschiedene Perspektiven auf bildende Kunst aus aller Welt. Sie konzentriert sich auf kritische Analysen und beleuchtet weniger bekannte künstlerische Traditionen, wobei konventionelle Narrative in Frage gestellt werden. Leser können tiefgehende Studien erwarten, die das Verständnis der Kunstgeschichte über eurozentrische Ansichten hinaus erweitern. Ziel ist es, unterschiedliche Sichtweisen auf die globale Kunstszene anzubieten.

Pop Art and Vernacular Cultures
Discrepant Abstraction
Cosmopolitan Modernisms

Empfohlene Lesereihenfolge

  • "Cosmopolitan Modernisms explores various moments in 20th-century art where the encounter between different cultures has produced something distinctive and revealing about the lived experience of modernity. Distinguished art historians and emerging scholars are brought together in this book by a critical dialogue that pushes beyond separate areas of study to arrive at a more connective approach to the history of art." "Travelling through a variety of historical contexts, from colonial India and pre-war Germany, to post-1945 Brazil, and the Caribbean and African American spaces of the black Atlantic diaspora, this unique collection re-defines the 'cosmopolitan' as a critical aspect of the questioning attitude that artists adopted throughout the world." "Featuring internationally respected scholars at the cutting edge of contemporary research, Cosmopolitan Modernisms is the first volume in the Annotating Art's Histories series. Each volume builds up an in-depth understanding of cultural difference as a constant factor in the history of art. Presenting newly-commissioned writings alongside translations, interviews, bibliographies, and selected reprints of hard-to-find texts, this innovative series is essential reading for students, practitioners and anyone curious about cross-cultural interaction in the visual arts."--Page 4 de la couverture

    Cosmopolitan Modernisms
  • How the formal ingenuity of abstract art has been cross-fertilized by creative discrepancies—a cross-cultural voyage stretching from Hong Kong and Islamic regions to Canada, Australia, Europe, and the United States.For anyone who thinks the question of abstract art is settled, this book will come as a surprise. Discrepant abstraction is hybrid and partial, elusive and repetitive, obstinate and strange. It includes almost everything that does not neatly fit into the institutional narrative of abstract art as a monolithic quest for artistic purity. Exploring cross-cultural scenarios in twentieth-century art, this second volume in the Annotating Art's Histories series alters our understanding of abstract art as a signifier of modernity by revealing the multiple directions it has taken in wide-ranging international contexts.Impure, imperfect, and incomplete, the version of abstraction that emerges from this global journey—from Hong Kong and Islamic regions to Canada, Australia, Europe, and the United States—shows how the formal ingenuity of abstract art has been cross-fertilized, from abstract expressionism onwards, by creative discrepancies that arise when disparate visual languages are brought into dialogue. Discrepant Abstraction is essential reading for students, practitioners and anyone curious about cross-cultural interaction in the visual arts.Copublished with inIVA/Institute of International Visual Arts, London

    Discrepant Abstraction
  • How does pop art translate across cultures? What does pop art look like through a postcolonial lens? This volume casts light on the aesthetics and politics of pop by taking a cross-cultural perspective on what happens when everyday objects are taken out of one context and repositioned in the language of art

    Pop Art and Vernacular Cultures