Diese Trilogie stellt das turbulente intellektuelle und politische Klima Russlands in der entscheidenden Periode von den frühen 1830er bis zu den späten 1860er Jahren dramatisch dar. Sie verfolgt die Leben und ideologischen Kämpfe von Schlüsselfiguren im Zentrum der radikalen Oppositionsbewegung, insbesondere während der europäischen Revolutionen von 1848. Die Werke tauchen tief in tiefgreifende Fragen von Freiheit, Identität und der Rolle des Einzelnen in der Gesellschaft ein. Sie bietet eine fesselnde Erkundung der Prägung der modernen russischen Intelligenz.
This play is one of three sequential, self-contained plays which tell the story of some of the main actors in the drama of Russian radical opposition in the years pivoted on the European revolutions of 1848. The trilogy spans the early 1830s and the late 1860s.
and it was here, in the intoxicating anticipation and the dashed hopes of the 1848 revolution - when the loss of his political illusions were overshadowed by a series of personal calamities - that Herzen found his greatness, seeking the way forward for Russia, the just society and the good life.
Set against the backdrop of Tsarist autocracy, this trilogy delves into the lives of influential figures like anarchist Michael Bakunin and writer Ivan Turgenev, who embody the Russian intelligentsia. The narrative weaves themes of politics, love, and betrayal, focusing on Alexander Herzen, the first self-proclaimed socialist in Russia. Stoppard intricately explores the tensions between romantic anarchy, utopian ideals, and the quest for political freedom, capturing the fervor of a generation of revolutionaries striving for change.
The Coast of Utopia is an epic but also intimate drama of romantics and revolutionaries in an age of emperors. The three sequential, self-contained plays, Voyage, Shipwreck and Salvage, span the lives and loves of a group of Russian friends at home and abroad in the tumultuous years between 1833 and 1866.