Exploring the intersection of jazz history and personal narrative, this work presents a grounded theory of 'authenticating' as a socio-political process. It delves into Richard Ekins' experiences within the vibrant New Orleans jazz scene, while also reflecting on his journey as a social constructionist and cultural theorist. The book intertwines historiography, autoethnography, and memoir to provide a unique perspective on the cultural dynamics of jazz and its societal implications.
