Malerei und Wirklichkeit
- 304 Seiten
- 11 Lesestunden
Étienne Gilson war ein herausragender Gelehrter der mittelalterlichen Philosophie, der das Interesse an dieser Epoche wiederbelebte und ihre Verbindungen zum modernen Denken aufzeigte. Sein tiefes Verständnis des mittelalterlichen Denkens, insbesondere seiner christlichen Grundlagen und seiner Beziehung zu Vernunft und Glauben, brachte ihm weltweite Anerkennung ein. Gilsons Werk zeigt, wie mittelalterliche Perspektiven gegenwärtige philosophische Diskussionen weiterhin bereichern können, und bietet Einblicke in die unerschütterliche Überzeugung von der Existenz Gottes als Fundament sorgfältiger rationaler Untersuchung.







This short book is a work of one of the 20th century's greatest philosophers and historians of philosophy, Etienne Gilson. The book's title, taken from the first chapter, may sound esoteric but it reflects a common-sense outlook on the world, applied in a methodical way. That approach, known as realism, consists in emphasizing the fact that what is real precedes our concepts about it. In contrast to realism stands idealism, which refers to the philosophical outlook that begins with ideas and tries to move from them to things. Gilson shows how the common-sense notion of realism, though denied by many thinkers, is indispensible for a correct understanding of things--of what is and how we know what is. He shows the flaws of idealism and he critiques efforts to introduce elements of idealism into realist philosophy (immediate realism). At the same time, the author criticizes failures of certain realist philosophers--including Aristotle--to be consistent in their own principles and to begin from sound starting points. To these problems, Gilson traces medieval philosophy's failure in the realm of science, which led early modern scientific thinkers of the 17th century unnecessarily to reject even the best of medieval scholastic philosophy. He concludes with The Realist Beginner's Handbook, a summary of key points for thinking clearly about reality and about the knowledge of it.
Etienne Gilson, a prominent medievalist and key figure in the revival of Thomistic philosophy, presents a collection of nine insightful articles. His distinguished career included membership in the French Academy and teaching at prestigious institutions like the Sorbonne and the College de France. Ultimately, he chose to lead the Pontifical Institute of Medieval Studies at the University of Toronto, shaping the field for decades. This compilation showcases his significant contributions to medieval studies and philosophy.
The Aristotelian Society of Marquette University each year invites a scholar to speak on the Philosophy of St. Thomas Aquinas. Those lectures have come to be called the Aquinas Lectures and are customarily delivered on the Sunday nearest March 7, the feast day of the Society's patron saint
In this book (a translation of his well-known work L'esprit de la philosophie medievale) , Etienne Gilson undertakes the task of defining the spirit of mediaeval philosophy. Gilson asks whether we can form the concept of a Christian philosophy and whether mediaeval philosophy is not its most adequate historical expression. He maintains that the spirit of mediaeval philosophy is the spirit of Christianity penetrating the Greek tradition, working within it, and drawing out of it a certain view of the world that is specifically Christian. To support his hypothesis, Gilson examines mediaeval thought in its nascent state, at that precise point where the Judeo-Christian graft was inserted into the Hellenic tradition. Gilson's demonstration is primarily historical and occasionally theoretical in suggesting how doctrines that satisfied our predecessors for so many centuries may still be found conceivable today.
Exploring the philosophy of art, Etienne Gilson challenges the validity of contemporary artistic reproductions. He delves into the complexities of defining art, questioning the essence of what constitutes true artistic expression. For instance, he distinguishes between original works and their reproductions, such as photographs of paintings or images of sculptures. Gilson's inquiry raises fundamental issues about the nature of art in a modern context, particularly regarding the nuances of recorded music and its relationship to traditional forms of artistic creation.
Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1924]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - eng, Pages 320. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}
Recounts the most famous love story of the Middle Ages
In this final edition of his classic study of St. Thomas Aquinas, Etienne Gilson presents the sweeping range and organic unity of Thomistic philosophical thought. The philosophical thinking of Aquinas is the result of reason being challenged to relate to many theological conceptions of the Christian tradition. Gilson carefully reviews how Aquinas grapples with the relation itself of faith and reason and continuing through the existence and nature of God and His creation, the world and its creatures, especially human beings with their power of intellect, will, and moral life. He concludes this study by discussing the life of people in society, along with their purpose and final destiny. Gilson demonstrates that Aquinas drew from a wide spectrum of sources in the development of his thought-from the speculations of the ancient Greeks such as Aristotle, to the Arabic and Jewish philosophers of his time, as well as from Christian writers and scripture. The Christian Philosophy of St. Thomas Aquinas offers students of philosophy and medieval studies an insightful introduction to the thought of Aquinas and the Scholastic philosophy of the Middles Ages, insights that are still revelant for today.
The highly regarded French philosopher, tienne Gilson, brilliantly plumbs the depths of Thomistic Realism, and false Thomisms as well, in this answer to Kantian modernism. The important work, exquisitely translated by Mark Wauck, brings the essential elements of philosophy into view as a cohesive, readily understandable, and erudite structure, and does so rigorously in the best tradition of St. Thomas. Written as the definitive answer to those philosophers who sought to reconcile critical philosophy with scholastic realism, Gilson saw himself as an historian of philosophy whose main task was one of restoration, and principally the restoration of the wisdom of the Common Doctor of the Church, St. Thomas Aquinas. Gilsons thesis was that realism was incompatible with the critical method and that realism, to the extent that it was reflective and aware of its guiding principles, was its own proper method. He gives a masterful account of the various forces that shaped the neo-scholastic revival, but Gilson is concerned with the past only as it sheds light on the present. In addition to his criticisms, Gilson presents a positive exposition of true Thomist realism, revealing the foundation of realism in the unity of the knowing subject.