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Juerg Judin

    Adrian Ghenie, Darwin's room
    Tom of Finland
    • Tom of Finland undoubtedly counts among the great and truly influential artists of the latter 20th century. Through his iconic images, he almost single-handedly changed the way gay men were perceived by society, and – maybe even more important – how gay men perceived themselves. The massive oeuvre that he produced over the course of a career spanning nearly six decades is devoted almost entirely to this one topic: men, their bodies, and their spirits. This extraordinary consistency in subject-matter was matched by a life-long passion for the supreme discipline of freehand drawing. All he needed to create a universe of dazzlingly gorgeous hunks was a pencil and a sheet of paper. And he most likely drew every day of his life. Drawing, it seems, was an exercise for his restless imagination and desire. Tom’s world was populated by cowboys, mechanics, cops, punks and thugs – all indulging their desires with great camaraderie and without guilt or prejudice. This book assembles a cross-section of these characters as dreamt up by the artist in rough sketches or more carefully executed studies. Mostly they served as preliminary drawings for the highly finished works, many of which were intended for publication. The playful format of an imaginary sketch book lets the viewer take an intimate glance over the artist’s shoulder and share in his exuberant “joie de vivre.”

      Tom of Finland
    • Adrian Ghenie, Darwin's room

      • 96 Seiten
      • 4 Lesestunden

      At this year’s Venice Biennale, the Romanian Pavilion in the Giardini showcases Darwin’s Room, an exhibition of paintings by Adrian Ghenie. The title refers not only to a recent series of superb portraits of (and self-portraits as) the great British naturalist, but also to Ghenie’s exploration of twentieth-century history as an “evolutionary laboratory,” with the seminal ideologies as “species” fighting for survival—a fascinating interweaving of past and future histories. In just a few years, Ghenie has developed a unique artistic language, combining a spontaneous, sensual, multilayered “joie de peindre” with a keen reflection on how the contemporary is shaped by memory and desire. This handsome book assembles all paintings presented in Venice and a wealth of essays and interviews that underline Ghenie’s standing as one of the most significant painters of his generation.

      Adrian Ghenie, Darwin's room