Leslie Poles Hartley Bücher

Leo Colston ist ein Mann fortgeschrittenen Alters, als er in einem alten roten Karton auf sein Jugendtagebuch stößt. »Tagebuch für das Jahr 1900« steht darauf, und dieser Fund lässt Leo Colston in Gedanken zurückgehen in jenen Sommer, als er dreizehn war: Während der Ferien auf dem Landgut der Eltern seines Schulfreundes wird Leo zum Überbringer heimlicher Liebesbotschaften zwischen Ted, dem Pächter, und Marian, der schönen Tochter des Schlossherrn, deren Verlobung mit Lord Trimingham kurz bevorsteht. Gegen seinen Willen zieht es Leo immer tiefer in den Strudel des gefährlichen Spiels von Verlangen und Verrat, von versprochener und verbotener Liebe, und schließlich steht er vor der ersten großen Gewissensentscheidung seines jungen Lebens.

L.P. Hartley's poignant exploration of a young boy's loss of innocence is presented in this edition, edited by Douglas Brooks-Davies. Set during a long, hot summer, young Leo stays with a school-friend at Brandham Hall, where he becomes a messenger between Ted, a farmer, and Marian, a beautiful young woman. As he becomes increasingly entangled in their dangerous game of deceit and desire, Leo faces a shocking and premature revelation about the adult world. This haunting narrative captures the awakening of a boy to the secrets of adulthood while vividly evoking the boundaries of Edwardian society. Leslie Poles Hartley (1895-1972), born in Whittlesey, Cambridgeshire, was educated at Harrow and Balliol College, Oxford. He was a prolific fiction reviewer for over thirty years and gained recognition with his novel Eustace and Hilda (1947), which won the James Tait Black prize. His works include the acclaimed The Go-Between (1953), later adapted into a successful film, and The Hireling (1957), which won the Palme d'Or at Cannes. Readers who appreciated this work may also enjoy Barry Hines's A Kestrel for a Knave. The narrative is described as "magical and disturbing," with layers of poignancy that deepen upon revisiting.

On her husband's death Lady Franklin dropped her friends and wrapped herself in a penitential garment of grief. Two years later, on a visit to Canterbury Cathedral, she impulsively began to unburden her soul to the driver of the hired car. Leadbitter, a lonely, cynical ex-soldier, responded by trying to distract her with tales of his imaginary wife and family. So begins a dangerous game, played by inhabitants of different planets. And in mid-journey the story plunges down a turning where all the sign-posts point to disaster.

The three books gathered together as Eustace and Hilda explore a brother and sister's lifelong relationship. Hilda, the older child, is both self-sacrificing and domineering, as puritanical as she is gorgeous; Eustace is a gentle, dreamy, pleasure-loving boy: the two siblings could hardly be more different, but they are also deeply devoted. And yet as Eustace and Hilda grow up and seek to go their separate ways in a world of power and position, money and love, their relationship is marked by increasing pain. L. P. Hartley's much-loved novel, the magnum opus of one of twentieth-century England's best writers, is a complex and spellbinding work: a comedy of upper-class manners; a study in the subtlest nuances of feeling; a poignant reckoning with the ironies of character and fate. Above all, it is about two people who cannot live together or apart, about the ties that bind--and break.

L.P. Hartley's poignant exploration of a young boy's loss of innocence is brought to life in this modern classic, edited with an introduction and notes by Douglas Brooks-Davies. Set during a long, hot summer, young Leo stays with a school-friend at Brandham Hall, where he becomes a messenger between Ted, a farmer, and Marian, a captivating young woman. As Leo becomes more entangled in their dangerous game of deceit and desire, he faces a shocking and premature revelation about the adult world. This haunting narrative captures the essence of a boy's awakening to the secrets of adulthood while vividly depicting the constraints of Edwardian society. Leslie Poles Hartley (1895-1972), born in Whittlesey, Cambridgeshire, and educated at Harrow and Balliol College, Oxford, was a prolific fiction reviewer for various periodicals for over thirty years. His first book, a collection of short stories, was published in 1924, but he gained widespread acclaim with Eustace and Hilda in 1947, which won the James Tait Black prize. His notable works include this novel, adapted into a successful film, and The Hireling, which won the Palme d'Or at Cannes. Readers who appreciate this work may also enjoy Barry Hines's A Kestrel for a Knave. The narrative is described as both "magical and disturbing," with layers of poignancy revealed upon revisiting.

It is the summer of 1900 and Leo is staying with his friend Marcus. Leo likes Marcus's beautiful older sister, Marian very much. He becomes a secret messenger for her and a local farmer. But when he realizes what the messages they send each other are about, he is shocked and confused

The story explores the evolving relationship between Fergus, a bookish teenager, and Fred, his father's rugged chauffeur, as they bond through boxing lessons. Initially intended to toughen Fergus up, their time together unexpectedly blossoms into a deep friendship, hinting at romantic feelings. This unexpected connection challenges the Colonel's perceptions of masculinity and reveals the complexities of identity and emotional growth in a young man navigating his self-worth.

Emotionally paralyzed by grief at her husband's death, Lady Franklin, an eligible young widow, unburdens herself to Leadbitter--a gallant, hard-bitten ex-soldier who has invested his savings, and himself, in the car he drives for hire--as he takes her on a series of journeys. He in turn beguiles her with stories of his nonexistent wife and children thereby weaning her from her self-absorption, but creating for himself a dreamlife with Lady Franklin at the heart of it. Half-hoping to make his dream come true, Leadbitter takes a bold step which costs him her company and brings the story to a dramatically unexpected end. "The Hireling" was made into a 1973 film starring Sarah Miles and Robert Shaw.