Nella Larsen Bücher

'Nella Larsens Roman ›Seitenwechsel‹ ist das Gegenstück zu Scott Fitzgeralds ›Der große Gatsby‹.' Irene Redfield flieht vor der Hitze eines heißen Sommertages ins Dachrestaurant des Drayton Hotels in Chicago. Sie traut ihren Augen kaum, als sie hier ihre Freundin aus Kindertagen wiedertrifft. Clare Kendry ist nach dem frühen Tod ihres Vaters bei weißen Verwandten aufgewachsen und der Kontakt zwischen den Freundinnen abgerissen. Zwei Jahre später zieht Clare nach New York und meldet sich bei Irene, die in Harlem lebt, während Clare in der Welt der Weißen zu Hause ist. Clare ist mit einem Rassisten verheiratet, der nicht auch nur entfernt von ihrer schwarzen Herkunft ahnt. Zudem beunruhigt Irene mehr und mehr, daß Clare eine magische Wirkung auf ihren eigenen Ehemann zu haben scheint. Clare, die Wanderin zwischen den Welten, liebt die Gefahr und das Spiel mit dem Feuer – und droht ständig, sich zu verbrennen.

Throughout her short but brilliant literary career, Nell Larsen wrote piercing dramas about the black middle class that featured sensitive, spirited heroines struggling to find a place where they belong. Passing is a disturbing story about the unravelling lives of two childhood friends, one of whom turns her back on her past and marries a white racist. Just as disquieting is the portrait in Quicksand of biracial Helga Crane, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexities and imbued with a vibrant sense of place - be it 1920s Harlem, Chicago, or Copenhagen.

Exploring themes of identity and race, this collection features Nella Larsen's notable works beyond her acclaimed novel Passing. It includes her autobiographical novel Quicksand, which delves into the struggles of a biracial woman, alongside three compelling short stories: "Freedom," "The Wrong Man," and "Sanctuary." Together, these writings highlight Larsen's significant contributions to the Harlem Renaissance and provide insight into her literary voice and the complexities of her characters' experiences.

A light-skinned beauty who spends years passing for white finds herself dangerously drawn to an old friend's Harlem neighborhood. A restless young mulatto tries desperately to find a comfortable place in a world in which she sees herself as a perpetual outsider. A mother's confrontation with tragedy tests her loyalty to her race.The gifted Harlem Renaissance writer Nella Larsen wrote compelling dramas about the black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen's best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white bigot. Just as disquieting is the portrait in Quicksand of Helga Crane, half black and half white, who can't escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities her or in the other stories in a collection that is compellingly readable, rich in psychological complexity, and imbued with a sense of place that brings Harlem vibrantly to life.

Two novels of 1920s Harlem describe Helga Crane's search for freedom and personal expression, and Irene's friendship with Clare, who attempts to pass for white.

A NETFLIX BOOK CLUB PICK Now a major motion picture starring Tessa Thompson and Ruth Negga, Nella Larsen's powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today. Clare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to "pass" as a white woman. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare's risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare's interest in Irene turns into a homoerotic longing for Irene's black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling. First published in 1929, Passing feels just as timely as ever today.

2011 Reprint of 1928 Edition not reproduced with Optical Recognition Software. Nella Larsen's first novel tells the story of Helga Crane, a fictional character loosely based on Larsen's own early life. Crane is the lovely and refined daughter of a Danish mother and a West Indian black father who abandons Helga and her mother soon after Helga is born. Unable to feel comfortable with any of her white-skinned relatives, Helga lives in various places in America and visits Denmark in search of people among whom she feels at home. The work is a superb psychological study of a complicated and appealing woman, Helga Crane, who, like Larsen herself, is the product of a liaison between a black man and a white woman. In one sense, Quicksand might be called an odyssey; however, instead of overcoming a series of obstacles and finally arriving at her native land, Larsen's protagonist has a series of adventures, each of which ends in disappointment.