Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Features an introduction and explanatory notes
The Twitter Presidency explores the rhetorical style of President Donald J. Trump, attending to both his general manner of speaking as well as to his preferred modality. Trump's manner, the authors argue, reflects an aesthetics of white rage, and it is rooted in authoritarianism, narcissism, and demagoguery. His preferred modality of speaking, namely through Twitter, effectively channels and transmits the affective dimensions of white rage by taking advantage of the platform's defining characteristics, which include simplicity, impulsivity, and incivility. There is, then, a structural homology between Trump's general communication practices and the specific platform (Twitter) he uses to communicate with his base. This commonality between communication practices and communication platform (manner and modality) struck a powerful emotive chord with his followers, who feel aggrieved at the decentering of white masculinity. In addition to charting the defining characteristics of Trump's discourse, The Twitter Presidency exposes how Trump's rhetorical style threatens democratic norms, principles, and institutions.
The Wanderer or Female Difficulties is the tale of a penniless emigree from revolutionary France trying to earn her living in England while guarding her own secrets. Combining the best elements of the gothic and historical novels, this newly appreciated work is an extraordinary piece of Romantic fiction. Burney's tough comedy offers a satiric view of complacent middle-class insularity that echoes Godwin and Wollstonecraft's attacks on the English social structure. The problems of the new feminism and of the old anti-feminism are explored in the relationship between the heroine and her English patroness and rival, the Wollstonecraftian Elinor Joddrel, and the racism inherent within both the French and British empires is exposed when the emigree disguises herself as a black woman.