The book, first published in 2001, explores significant themes relevant to its field, offering insights and perspectives that have continued to resonate over the years. It is published by Routledge, a notable imprint of Taylor & Francis, known for its scholarly contributions. The work is likely to appeal to readers seeking in-depth analysis and understanding of its subject matter.
Scriptwriter Alan Tate, down on his luck, meets Andree, a German producer, who invites him to string a few words together for a film. Alan's life begins to liven up, with girls on tap, a real-life bank robbery and police officers suspecting his play is some kind of master plan.
This authoritative new reference demystifies the technologies of high definition and 24P cinematography. It is written for the director of photography, camera crew and producer or director and deals with the subject from their point of view. It provides a thorough and logical description of the five scanning formats 24P, 25P, 30P, 50i and 60i as well as recording formats, editing options, delivery potential and discussions on the financial implications theses decisions might have.It looks at comparative costs between different decisions surrounding camera formats, such as 16mm to 35mm shooting for different examples, such as a 100-minute low budget movie or 30 second commercial. There is also considerable discussion on the advantages and disadvantages of using HD versus film, seen from a producer's perspective and what the impact is on all those involved in making a movie. Different delivery systems and camera equipment are discussed as well as editing.Filled with practical advice for tackling everyday decisions and choices, this is a must-have guide for anyone using or considering using high definition technology.