Alfred Tennyson Bücher

Die Idyllen des Königs reflektieren Tennysons tiefes Interesse an Artus-Themen und verkörpern den universellen Konflikt zwischen Sinn und Seele. Arthur wird als Ideal von Männlichkeit und Königtum dargestellt, was mit den moralischen Vorstellungen seiner Zeit übereinstimmt. Tennysons poetischer Stil, stark beeinflusst von Romantikern wie Keats, zeichnet sich durch eine einzigartige Feinheit und subtile metrische Effekte aus. Diese Ausgabe basiert auf dem von Tennyson autorisierten Text und bietet einen umfassenden kritischen Apparat, der das Werk in einen breiteren literarischen Kontext stellt.

Alfred Tennyson: Enoch Arden Erstdruck in: Enoch Arden, and Other Poems, London (Edward Moxon) 1864. Hier in der Übers. v. Adolf Strodtmann. Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2018. Textgrundlage ist die Ausgabe: Tennyson, Alfred: Enoch Arden. Übers. v. Adolf Strodtmann, Berlin: G. Grote'sche Verlagsbuchhandlung, 1922. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: George Goodwin Kilburne, Enoch Arden, 1924. Gesetzt aus der Minion Pro, 12.1 pt.

The Wordsworth Poetry Library comprises the works of the greatest English-speaking poets, as well as many lesser-known poets. Each collection has a specially commissioned introduction.

One of the great Victorian poets, Tennyson's genius is expressed through the precision and delicacy of the language of his lyrical poems

Considered by Victorians as the finest contemporary poet, Alfred, Lord Tennyson (1809–1892) gained much critical favor for his mastery of poetic technique, high-mindedness, and superb natural description. This volume contains a representative selection of his best works, including the famous long narrative poem "Enoch Arden," as well as a number of important lyrics, monologues, ballads, and other typical pieces. Among these are "The Lady of Shalott," "The Beggar Maid," "The Charge of the Light Brigade," "Break, break, break," "Flower in the Crannied Wall," and "Ode on the Death of the Duke of Wellington." Also here are carefully chosen, uncut excerpts from three longer works: The Princess, "Maud," and "The Brook." With this inexpensive volume at their fingertips, students and lovers of poetry can enjoy a substantial sampling of Tennyson's still-admired, widely quoted verse.

Traces the story of Arthur's rule, from his first encounter with Guinevere and the quest for the Holy Grail to the adultery of his Queen with Launcelot and the King's death in a final battle that spells the ruin of his kingdom. The author's depiction of the Round Table reflects a longing for a past age of valour and chivalry.

"This Norton Critical Edition of In Memoriam features the profound nineteenth-century poem by Victorian poet Alfred, Lord Tennyson, with editorial annotations. Written after the passing of Tennyson's close friend Arthur Henry Hallam, the poem addresses themes of grief, death, and loss. The "Background and Contexts" section of this volume provides a better look at the relationship between the two men along with literary inspirations and scientific backgrounds for the poem itself. "Criticism" includes contemporary reviews and modern critical readings, ranging from analysis of the structure and genre of the poem to considerations of Tennyson's sexuality, materiality, and views on scientific challenges to faith. A chronology and selected bibliography are also included"--

This book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. Published by Megali, a company dedicated to making classic texts more readable, it aims to preserve important works while ensuring they are accessible to a wider audience.

The book is a reproduction of a historical work, published by Megali, a company dedicated to making literature accessible for individuals with impaired vision through large print editions. This initiative aims to enhance the reading experience for those who may struggle with standard text sizes, ensuring that important historical texts remain available to a wider audience.

Focusing on accessibility, this book is a reproduction of a historical work presented in large print, catering specifically to individuals with impaired vision. The publishing house Megali is dedicated to enhancing readability and preserving important texts for a wider audience.

Focusing on accessibility, this publication by Megali aims to enhance the reading experience for individuals with impaired vision through large print reproductions of historical works. The commitment to preserving and presenting these texts in an easily readable format highlights the importance of inclusivity in literature.

Originally published in 1858, this reprint offers readers a chance to explore the historical context and themes of the time. The book presents a unique perspective on its era, showcasing the author's insights and narrative style that reflect the social and cultural dynamics of the 19th century. With its enduring relevance, it serves as both a literary artifact and a window into the past, appealing to both history enthusiasts and literature lovers alike.

Focusing on accessibility, this book is a reproduction of a historical work presented in large print, specifically designed for readers with impaired vision. The publishing house Megali is dedicated to making classic literature more available and easier to read, ensuring that important texts can be enjoyed by a wider audience.

Alfred Tennyson tvoril časti svojho diela na rôznych miestach, tak ako mu prichádzali na um jednotlivé okolnosti jeho priateľstva s Arthurom Henrym Hallamom. Nemal v úmysle publikovať ich ako celok, k tejto možnosti dospel, až keď si uvedomil, koľko veršov na túto tému už napísal. V úvode sa zračí obdobie intenzívneho žiaľu za priateľom, presvedčenie, že za ním bude smútiť neustále. V raných fázach trúchlenia spochybňuje prežitie duše a existenciu posmrtného života. No hoci v tomto bode nedospieva k viere, ktorú nachádza v závere básnickej skladby, a vnútorne bojuje s tým, že vedecké poznatky môžu existenciu Boha aj vyvrátiť, napokon dospieva k súladu a prijíma náboženstvo a vieru. Pripúšťa, že biologický vývin je evolúciou Božieho zámeru s človekom a so zemou: Máme len vieru, čo si nie je istá, / veď naša znalosť stále čelí tme, / no predsa v tvoju veľkosť veríme, / lúč v temrave: nech rastie do zlatista.

Soubor básní -idyl- popisující idealizovanou příběhy legendárního krále Artuše a rytířů kulatého stolu. Básně Tennyson psal postupně a vydávány byly často jednotlivě mezi lety 1859 a 1889.