Bookbot

Hans Bertens

    Hans Bertens ist ein niederländischer akademischer Autor und emeritierter Professor, der sich auf Amerikanistik und Vergleichende Literaturwissenschaft spezialisierte. Seine Arbeit befasste sich mit den Komplexitäten der modernen und postmodernen Literatur und untersuchte ihre formalen Aspekte und ideologischen Implikationen. Bertens analysierte, wie literarische Techniken und Stile unser Weltverständnis widerspiegeln und gestalten, und bot aufschlussreiche Perspektiven auf die Entwicklung des literarischen Denkens. Sein Ansatz betont die Verflechtung von Literaturtheorie und kritischer Analyse.

    Approaching Postmodernism
    Literary Theory: The Basics
    Literary Theory
    • 2013

      Literary Theory

      • 269 Seiten
      • 10 Lesestunden
      3,0(3)Abgeben

      No further information has been provided for this title.

      Literary Theory
    • 2013

      Now in its fourth edition, Literary Theory: The Basics is an essential guide to the complicated and often confusing world of literary theory. Readers will encounter a broad range of topics from Marxist and feminist criticism to postmodernism, queer studies and ecocriticism.

      Literary Theory: The Basics
    • 1986

      Approaching Postmodernism

      • 310 Seiten
      • 11 Lesestunden

      The essays in this collection address key theoretical issues surrounding Postmodernism, including its evolving definition, periodization, and historicity. Some pieces provide readings of Postmodernist texts, linking practical criticism to theoretical frameworks. Hans Bertens outlines the historical evolution of Postmodernism in American criticism, clarifying various definitions proposed over the past twenty-five years to enhance understanding and discussion. Brian McHale and Douwe Fokkema present models for analyzing Postmodernist texts, while Richard Todd argues that Postmodernism is more prevalent in contemporary British fiction than previously recognized. Herta Schmid makes a similar case regarding Russian avant-garde theater. Elrud Ibsch contrasts Thomas Bernhard and Robert Musil, and Ulla Musarra explores Italo Calvino's work. Gerhard Hoffman examines the relationship between Existentialism and Postmodernism, while Theo D'haen identifies parallels between Postmodernism in literature and visual arts. Matei Calinescu connects literary Postmodernism to broader cultural shifts, challenging Foucault's idea of an epistemic break and advocating for both continuity and discontinuity. Finally, Helmut Lethen and Susan Suleiman critically assess the concept of Postmodernism, with Suleiman suggesting that the alleged reaction against Modernism may be a critical myth or limited to the American context.

      Approaching Postmodernism